osi, with a Discourse held there in
Vindication of Mr. Dryden's Conquest of Granada against the Author of
the Censure of the Rota." And a third, called "A Friendly Vindication
of Mr. Dryden from the Author of the Censure of the Rota," was printed
at Cambridge. All these appeared previous to the publication of the
"Assignation." The first, as Wood informs us, was written by Richard
Leigh, educated at Queen's College, Oxford, where he entered in 1665,
and was probably resident when this piece was there published. He was
afterwards a player in the Duke's Company, but must be carefully
distinguished from the celebrated comedian of the same name. It seems
likely that he wrote also the second tract, which is a continuation of
the first. Both are in a frothy, flippant style of raillery, of which
the reader will find a specimen in the note.[21] The Cambridge
Vindication seems to have been written by a different hand, though in
the same taste. It is singular in bringing a charge against our author
which has been urged by no other antagonist; for he is there upbraided
with exhibiting in his comedies the persons and follies of living
characters.[22]

The friends and admirers of Dryden did not see with indifference these
attacks upon his reputation for he congratulates[23] himself upon having
found defenders even among strangers alluding probably to a tract by Mr.
Charles Blount, entitled, "Mr. Dryden Vindicated, in answer to the
Friendly Vindication of Mr. Dryden, with reflections on the Rota." This
piece is written with all the honest enthusiasm of youth in defence of
that genius, which has excited its admiration. In his address to Sedley,
Dryden notices these attacks upon him with a supreme degree of
contempt[24]. In other respects, the dedication is drawn with the easy
indifference of one accustomed to the best society, towards the
authority of those who presumed to judge of modern manners, without
having access to see those of the higher circles. The picture which it
draws of the elegance of the convivial parties of the wits in that gay
time has been quoted a few pages higher.

I know not if it be here worth while to mention a pretty warfare between
Dryden and Edward Ravenscroft,[25] an unworthy scribbler, who wrote
plays, or rather altered those of Shakespeare, and imitated those of
Moliere. This person, whether from a feud which naturally subsisted
between the two rival theatres, or from envy and dislike to Dryden
personal