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The Project Gutenberg EBook of Godolphin, Complete, by Edward Bulwer-Lytton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Godolphin, Complete Author: Edward Bulwer-Lytton Release Date: March 16, 2009 [EBook #7756] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK GODOLPHIN, COMPLETE *** Produced by Andrew Heath and David Widger GODOLPHIN By Edward Bulwer Lytton (Lord Lytton) TO COUNT ALFRED D'ORSAY. MY DEAR COUNT D'ORSAY, When the parentage of Godolphin was still unconfessed and unknown, you were pleased to encourage his first struggles with the world: Now, will you permit the father he has just discovered to re-introduce him to your notice? I am sorry to say, however, that my unfilial offspring, having been so long disowned, is not sufficiently grateful for being acknowledged at last: he says that he belongs to a very numerous family, and, wishing to be distinguished from his brothers, desires not only to reclaim your acquaintance, but to borrow your name. Nothing less will content his ambition than the most public opportunity in his power of parading his obligations to the most accomplished gentleman of our time. Will you, then, allow him to make his new appearance in the world under your wing, and thus suffer the son as well as the father to attest the kindness of your heart and to boast the honour of your friendship? Believe me, My dear Count d'Orsay, With the sincerest regard, Yours, very faithfully and truly, E. B. L. PREFACE TO GODOLPHIN. In the Prefaces to this edition of my works, I have occasionally so far availed myself of that privilege of self-criticism which the French comic writer, Mons. Picord, maintains or exemplifies in the collection of his plays,--as, if not actually to sit in judgment on my own performances, still to insinuate some excuse for their faults by extenuatory depositions as to their character and intentions. Indeed, a writer looking back to the past is unconsciously inclined to think that he may separate himself from
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