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l them. I have been fairly and squarely beaten--but by nature, not by art. That is my consolation." Laughter struck into her eyes like a shaft of sunlight into a well; her emotions were no longer to be distinguished. And in that moment she wondered what would have happened if she had loved this man, and why she had not. And when next he spoke, she started. "How is my elderly dove-coloured friend this morning?" he asked. "That dinner with her was one of the great events of my life. I didn't suppose such people existed any more." "Perhaps you'll stay to breakfast with her," suggested Honora, smiling. "I know she'd like to see you again." "No, thanks," he said, taking her hand, "I'm on my way to the train--I'd quite forgotten it. Au revoir!" He reached the end of the porch, turned, and called back, "As a 'dea ex machina', she has never been equalled." Honora stood for a while looking after him, until she heard a footstep behind her,--Mrs. Holt's. "Who was that, my dear?" she asked, "Howard?" "Howard has gone, Mrs. Holt," Honora replied, rousing herself. "I must make his apologies. It was Mr. Brent." "Mr. Brent!" the good lady repeated, with a slight upward lift of the faint eyebrows. "Does he often call this early?" Honora coloured a little, and laughed. "I asked him to breakfast with you, but he had to catch a train. He --wished to be remembered. He took such a fancy to you." "I am afraid," said Mrs. Holt, "that his fancy is a thing to be avoided. Are you coming to Silverdale with me, Honora?" "Yes, Mrs. Holt," she replied, slipping her arm through that of her friend, "for as long as you will let me stay." And she left a note for Howard to that effect. End of Project Gutenberg's A Modern Chronicle, Volume 4, by Winston Churchill *** END OF THIS PROJECT GUTENBERG EBOOK A MODERN CHRONICLE, VOLUME 4 *** ***** This file should be named 5377.txt or 5377.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/3/7/5377/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of
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