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ate, were not wanting. Besides these there were books from a London circulating library, paper-covered light literature in French and choice Italian, and the latest monthly reviews; while between the two windows stood the telegraph apparatus whose wire had been the means of bringing him hither. These things, ensconced amid so much of the old and hoary, were as if a stray hour from the nineteenth century had wandered like a butterfly into the thirteenth, and lost itself there. The door between this ante-chamber and the sleeping-room stood open. Without venturing to cross the threshold, for he felt that he would be abusing hospitality to go so far, Somerset looked in for a moment. It was a pretty place, and seemed to have been hastily fitted up. In a corner, overhung by a blue and white canopy of silk, was a little cot, hardly large enough to impress the character of bedroom upon the old place. Upon a counterpane lay a parasol and a silk neckerchief. On the other side of the room was a tall mirror of startling newness, draped like the bedstead, in blue and white. Thrown at random upon the floor was a pair of satin slippers that would have fitted Cinderella. A dressing-gown lay across a settee; and opposite, upon a small easy-chair in the same blue and white livery, were a Bible, the Baptist Magazine, Wardlaw on Infant Baptism, Walford's County Families, and the Court Journal. On and over the mantelpiece were nicknacks of various descriptions, and photographic portraits of the artistic, scientific, and literary celebrities of the day. A dressing-room lay beyond; but, becoming conscious that his study of ancient architecture would hardly bear stretching further in that direction, Mr. Somerset retreated to the outside, obliviously passing by the gem of Renaissance that had led him in. 'She affects blue,' he was thinking. 'Then she is fair.' On looking up, some time later, at the new clock that told the seconds, he found that the hours at his disposal for work had flown without his having transferred a single feature of the building or furniture to his sketch-book. Before leaving he sent in for permission to come again, and then walked across the fields to the inn at Sleeping-Green, reflecting less upon Miss De Stancy (so little force of presence had she possessed) than upon the modern flower in a mediaeval flower-pot whom Miss De Stancy's information had brought before him, and upon the incongruities that were dail
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