man of you."

"The chains are for the purpose of increasing the confusion by their
jangling. You are supposed to have escaped, en masse, from your keepers.
Your majesty cannot conceive the effect produced, at a masquerade, by
eight chained ourang-outangs, imagined to be real ones by most of the
company; and rushing in with savage cries, among the crowd of delicately
and gorgeously habited men and women. The contrast is inimitable!"

"It must be," said the king: and the council arose hurriedly (as it was
growing late), to put in execution the scheme of Hop-Frog.

His mode of equipping the party as ourang-outangs was very simple, but
effective enough for his purposes. The animals in question had, at the
epoch of my story, very rarely been seen in any part of the civilized
world; and as the imitations made by the dwarf were sufficiently
beast-like and more than sufficiently hideous, their truthfulness to
nature was thus thought to be secured.

The king and his ministers were first encased in tight-fitting stockinet
shirts and drawers. They were then saturated with tar. At this stage
of the process, some one of the party suggested feathers; but the
suggestion was at once overruled by the dwarf, who soon convinced the
eight, by ocular demonstration, that the hair of such a brute as the
ourang-outang was much more efficiently represented by flu. A thick
coating of the latter was accordingly plastered upon the coating of tar.
A long chain was now procured. First, it was passed about the waist of
the king, and tied, then about another of the party, and also tied;
then about all successively, in the same manner. When this chaining
arrangement was complete, and the party stood as far apart from each
other as possible, they formed a circle; and to make all things appear
natural, Hop-Frog passed the residue of the chain in two diameters,
at right angles, across the circle, after the fashion adopted, at the
present day, by those who capture Chimpanzees, or other large apes, in
Borneo.

The grand saloon in which the masquerade was to take place, was a
circular room, very lofty, and receiving the light of the sun only
through a single window at top. At night (the season for which the
apartment was especially designed) it was illuminated principally by a
large chandelier, depending by a chain from the centre of the sky-light,
and lowered, or elevated, by means of a counter-balance as usual; but
(in order not to look unsightly) th