in his books, next-to-impossible
French names which nevertheless happened to be borne by living and
sensitive citizens of New Orleans. His names were either inventions or
were borrowed from the ancient and obsolete past, I do not now remember
which; but at any rate living bearers of them turned up, and were a good
deal hurt at having attention directed to themselves and their affairs
in so excessively public a manner.

Mr. Warner and I had an experience of the same sort when we wrote
the book called 'The Gilded Age.' There is a character in it called
'Sellers.' I do not remember what his first name was, in the beginning;
but anyway, Mr. Warner did not like it, and wanted it improved. He asked
me if I was able to imagine a person named 'Eschol Sellers.' Of course I
said I could not, without stimulants. He said that away out West, once,
he had met, and contemplated, and actually shaken hands with a man
bearing that impossible name--'Eschol Sellers.' He added--

'It was twenty years ago; his name has probably carried him off before
this; and if it hasn't, he will never see the book anyhow. We will
confiscate his name. The name you are using is common, and therefore
dangerous; there are probably a thousand Sellerses bearing it, and the
whole horde will come after us; but Eschol Sellers is a safe name--it is
a rock.'

So we borrowed that name; and when the book had been out about a week,
one of the stateliest and handsomest and most aristocratic looking white
men that ever lived, called around, with the most formidable libel
suit in his pocket that ever--well, in brief, we got his permission to
suppress an edition of ten million {footnote [Figures taken from memory,
and probably incorrect. Think it was more.]} copies of the book and
change that name to 'Mulberry Sellers' in future editions.

Chapter 48 Sugar and Postage

ONE day, on the street, I encountered the man whom, of all men, I most
wished to see--Horace Bixby; formerly pilot under me--or rather, over
me--now captain of the great steamer 'City of Baton Rouge,' the latest
and swiftest addition to the Anchor Line. The same slender figure, the
same tight curls, the same springy step, the same alertness, the same
decision of eye and answering decision of hand, the same erect military
bearing; not an inch gained or lost in girth, not an ounce gained or
lost in weight, not a hair turned. It is a curious thing, to leave a man
thirty-five years old, and come back