n. Under
all these circumstances, we find the best teachers become discouraged,
and fall into a dull routine, which truly can lead to no success.
In conclusion, I beg you to invite the piano teacher, Mr. Strict, to
whom you have confided the instruction of your only daughter, Rosalie,
to pay me a visit, and I will give him particular directions for a
gradual development in piano-playing, up to Beethoven's op. 109 or
Chopin's F minor concerto. But I shall find him too fixed in his own
theories, too much of a composer, too conceited and dogmatic, and not
sufficiently practical, to be a good teacher, or to exert much
influence; and, indeed, he has himself a stiff, restless, clumsy touch,
that expends half its efforts in the air. He talks bravely of etudes,
scales, &c.; but the question with regard to these is _how they are
taught_. The so-called practising of exercises, without having
previously formed a sure touch, and carefully and skilfully fostering it
is not much more useful than playing pieces. But I hear him reply, with
proud and learned self-consciousness: "Music, music! Classical,
classical! Spirit! Expression! Bach, Beethoven, Mendelssohn!" That is
just the difficulty. Look at his pupils, at his pianists! See how his
children are musically stifled, and hear his daughter sing the classical
arias composed by himself! However, it is all musical! Farewell.
CHAPTER IV.
A CONVERSATION WITH MRS. SOLID, AND FOUR LESSONS TO HER DAUGHTER.
MRS. SOLID. I should be glad to understand how it is that your daughters
are able to play the numerous pieces which I have heard from them so
correctly and intelligently, without bungling or hesitation, and with so
much expression, and the most delicate shading; in fact, in such a
masterly manner. From my youth upwards, I have had tolerable
instruction. I have played scales and etudes for a long time; and have
taken great pleasure in studying and industriously practising numerous
compositions of Kalkbrenner and Hummel, under their own direction. I
have even been celebrated for my talent; but, nevertheless, I never have
had the pleasure of being able to execute any considerable piece of
music to my own satisfaction or that of others; and I fear it will be
the same with my daughter Emily.
DOMINIE. In order to give a satisfactory answer to your question, I will
lay before you a few of my principles and opinions in respect to
musical culture, with special reference to piano-
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