FREE BOOKS

Author's List




PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  
than directly, from the things which he tells us of himself. His statement that he comes from Akron, Ohio, is less suggestive than his fondness for Bull Durham. Any direct statement made by a character concerning himself is of no more artistic value than if it were made about him by the author, unless his manner of making it gives at the same time an indirect evidence of his nature. The subtlest phase of indirect delineation through speech is a conveyance to the reader, through a character's remarks about himself, of a sense of him different from that which his statement literally expresses. Sir Willoughby Patterne, in "The Egoist," talks about himself frequently and in detail; but the reader soon learns from the tone and manner of his utterance to discount the high esteem in which he holds himself. By saying one thing directly, the egoist conveys another and a different thing indirectly to the reader. =2. By Action.=--But in fiction, as in life, actions speak louder than words: and the most convincing way of delineating character indirectly is by exhibiting a person in the performance of a characteristic action. If the action be visualized with sufficient clearness and if its dominant details be presented to the reader with adequate emphasis, a more vivid impression of character will be conveyed than through any sort of direct statement by the author. As an instance of characterization through action only, without comment or direct portrayal, let us consider the following passage from the duel scene of "The Master of Ballantrae." Two brothers, Mr. Henry and the Master, hate each other; they fall to altercation over a game of cards; and the scene is narrated by Mackellar, a servant of Mr. Henry's:-- "Mr. Henry laid down his cards. He rose to his feet very softly, and seemed all the while like a person in deep thought. 'You coward!' he said gently, as if to himself. And then, with neither hurry nor any particular violence, he struck the Master in the mouth. "The Master sprang to his feet like one transfigured; I had never seen the man so beautiful. 'A blow!' he cried. 'I would not take a blow from God Almighty.' "'Lower your voice,' said Mr. Henry. 'Do you wish my father to interfere for you again?' "'Gentlemen, gentlemen.' I cried, and sought to come between them. "The Master caught me by the shoulder, held me at arm's length, and still addressing his brother: 'Do you know what this means?' said he. "'I
PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  



Top keywords:

Master

 
character
 

reader

 

statement

 

action

 

direct

 
directly
 
person
 

indirect

 
indirectly

author

 

manner

 

softly

 

gently

 

thought

 

coward

 

Mackellar

 

brothers

 
Ballantrae
 

altercation


servant

 

narrated

 

transfigured

 

sought

 
gentlemen
 

Gentlemen

 
father
 

interfere

 

caught

 
shoulder

brother

 

addressing

 

length

 

things

 

passage

 

sprang

 
violence
 

struck

 

Almighty

 

beautiful


Patterne

 

Egoist

 

Willoughby

 

remarks

 
literally
 
expresses
 

frequently

 

discount

 
esteem
 

utterance