he building, a sense of
insufferable gloom pervaded my spirit. I say insufferable; for the
feeling was unrelieved by any of that half-pleasurable, because
poetic, sentiment with which the mind usually receives even the
sternest natural images of the desolate or terrible. I looked upon the
scene before me--upon the mere house, and the simple landscape
features of the domain, upon the bleak walls, upon the vacant eye-like
windows, upon a few rank sedges, and upon a few white trunks of
decayed trees--with an utter depression of soul which I can compare to
no earthly sensation more properly than to the after-dream of the
reveler upon opium: the bitter lapse into every-day life, the hideous
dropping off of the veil. There was an iciness, a sinking, a sickening
of the heart, an unredeemed dreariness of thought which no goading of
the imagination could torture into aught of the sublime.... It was
possible, I reflected, that a mere different arrangement of the
particulars of the scene, of the details of the picture, would be
sufficient to modify, or perhaps to annihilate, its capacity for
sorrowful impression; and acting upon this idea, I reined my horse to
the precipitous brink of a black and lurid tarn that lay in unruffled
lustre by the dwelling, and gazed down--but with a shudder even more
thrilling than before--upon the remodelled and inverted images of the
gray sedge, and the ghastly tree-stems, and the vacant and eye-like
windows."
Certainly this setting bears very little resemblance to the actual;
but just as certainly its artistic fitness to the tale of terror
which it preludes gives it an imaginative verisimilitude.
=A Realistic Setting by George Eliot.=--As an example of a realistic
setting, closely copying the actual, let us examine the following
passage from "Adam Bede" (Chapter XVIII):--
"You might have known it was Sunday if you had only waked up in the
farmyard. The cocks and hens seemed to know it, and made only crooning
subdued noises; the very bull-dog looked less savage, as if he would
have been satisfied with a smaller bite than usual. The sunshine
seemed to call all things to rest and not to labor; it was asleep
itself on the moss-grown cow-shed; on the group of white ducks
nestling together with their bills tucked under their wings; on the
old black sow stretched languidly on the straw, while her largest
young one found an excellent spring-bed on his mother's fat ribs; on
Alick, the shepherd, in hi
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