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tage 10 cents_ THE ALICE HARRIMAN COMPANY 542 FIFTH AVENUE NEW YORK _and_ SEATTLE 318 DENNY BUILDING PIONEER DAYS _on_ PUGET SOUND _By_ ARTHUR A. DENNY (Father of Seattle) The only book by one of Seattle's founders. Absolutely reliable as to facts and dates. _Edition de luxe, deckle-edge, profusely illustrated with rare photographs, drawings, maps, $2.00 net; postage, 10c. Limited edition._ * * * * * CHRONICLES _of_ OLDFIELDS _By_ THOMAS N. ALLEN A delightfully sympathetic tale of four old ante-bellum Kentuckians. Men's friendship has never before been portrayed with such literary delicacy and charm. We have printed this charming narrative in clear type, on good paper and bound it artistically. Introduction by John H. McGraw, ex-Governor of Washington. We have inserted an excellent likeness of Judge Allen, the author. You will read these CHRONICLES more than once. It is worthy of a second reading. _Illustrated. $1.50 net; postage, 10 cents_ * * * * * T H E R O A D _o f_ L I F E A Dramatic Poem, by Marion Couthouy Smith. With shorter poems reprinted by permission from the leading magazines. "Miss Smith's verse rings as clear and true as a clarion call." _$1.00 net; postage, 5 cents_. THE ALICE HARRIMAN COMPANY 542 FIFTH AVENUE NEW YORK _and_ SEATTLE 318 DENNY BUILDING * * * * * Transcriber's note The following changes have been made to the text: Page 89: "She clnug to him" changed to "She clung to him". Page 289 "like the the cauterizing" changed to "like the cauterizing". End of Project Gutenberg's A Man of Two Countries, by Alice Harriman *** END OF THIS PROJECT GUTENBERG EBOOK A MAN OF TWO COUNTRIES *** ***** This file should be named 28070.txt or 28070.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/0/7/28070/ Produced by Audrey Longhurst, Carla Foust and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United
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