skating was as perfect as this, it made no difference whether Holland
was on the North Pole or the Equator; and as for philosophy, how could
they bother themselves about inertia and gravitation and such things,
when it was as much as they could do to keep from getting knocked over
in the commotion?"
There is no formal moral, obtruding itself in set phrase. The lessons
inculcated, elevated in tone, are in the action of the story and the
feelings and aspirations of the actors. A young lady, for example, has
been on a visit to aid and console a poor peasant-girl, whom, having
been in deep affliction, she found unexpectedly relieved. Engrossed by
her warm sympathy with her humble friend, she forgets the lapse of time.
"Helda was reprimanded severely that day for returning late to school
after recess, and for imperfect recitation.
"She had remained near the cottage until she heard Dame Brinker laugh,
and heard Hans say, 'Here I am, father!' and then she had gone back to
her lessons. What wonder that she missed them! How could she get a long
string of Latin verbs by heart, when her heart did not care a fig for
them, but would keep saying to itself, 'O, I am so glad! I am so glad!'"
The book contains two things,--a series of lifelike pictures of an
interesting country and of the odd ways and peculiarities and homely
virtues of its inhabitants; and then, interwoven with these, a simple
tale, now pathetic, now amusing, and carrying with it wholesome
influences on the young heart and mind.
End of the Project Gutenberg EBook of The Atlantic Monthly, Volume 17, No.
104, June, 1866, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY ***
***** This file should be named 22375.txt or 22375.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/2/3/7/22375/
Produced by Joshua Hutchinson, Josephine Paolucci and the
Online Distributed Proofreading Team at http://www.pgdp.net.
(This file was produced from images generously made
available by Cornell University Digital Collections).
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set fo
|