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gnes. Books and Men. 16mo. Boston, 1888. Contains _Curiosities of Criticism_. Robertson, John M. Essays toward a Critical Method. Sm. 8vo. London, 1889. Contains _Science in Criticism_. Robertson, John M. New Essays toward a Critical Method. Sm. 8vo. London, 1897. Sears, Lorenzo. Principles and Methods of Literary Criticism. 12mo. New York and London, 1898. Stevenson, E. Early Reviews of Great Writers (1786-1832): Selected and Edited with an Introduction. 12mo. London, n.d. Trent, W.P. The Authority of Criticism and other Essays. 12mo. New York, 1899. Winchester, C.T. Some Principles of Literary Criticism. 12mo. New York, 1899. Worsfold, W. Basil. The Principles of Criticism. An Introduction to the Study of Literature. New Edition. 8vo. New York, 1902. Wylie, Laura Johnson. Studies in the Evolution of English Criticism. 16mo. Boston, 1894. Allen, Grant. The Decay of Criticism. In _Fortnightly Review_, XXXVII (339-351). Clarke, Helen A. The Value of Contemporary Judgment. In _Poet-Lore_, V (201-209). Critical Errors. In _Chamber's Journal_, XLII (164-166). Criticism Extraordinary. In _All the Year Round_, XXXIII (558-563). G.L.A. Some Curiosities of Criticism. In _Temple Bar_, LXXX (241-247). Howe, Herbert Crombie. The Contradictions of Literary Criticism. In _North American Review_, CLXXV (399-408). Hunt, T.W. Critics and Criticism. In _Modern Language Notes_, IV, p. 161. EARLY REVIEWS OF ENGLISH POETS THOMAS GRAY ODES. _By Mr._ Gray. 4to. 1s. Dodsley. As this publication seems designed for those who have formed their taste by the models of antiquity, the generality of Readers cannot be supposed adequate Judges of its merit; nor will the Poet, it is presumed, be greatly disappointed if he finds them backward in commending a performance not entirely suited to their apprehensions. We cannot, however, without some regret behold those talents so capable of giving pleasure to all, exerted in efforts that, at best, can amuse only the few; we cannot behold this rising Poet seeking fame among the learned, without hinting to him the same advice that Isocrates used to give his Scholars, _Study the People_. This study it is that has conducted the great Masters of antiquity up to immortality. Pindar himself, of whom our modern Lyrist is an imitator, appears entirely guided by it. He adapted his works exactly to the dispositions of his countrymen. Irregular[,] enthusiasti
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