is strange that we should cling so steadfastly to correct
spelling. Yet again, one can partly understand the business, if one
thinks of the little ways of your schoolmaster and schoolmistress. This
sanctity of spelling is stamped upon us in our earliest years. The
writer recalls a period of youth wherein six hours a week were given to
the study of spelling, and four hours to all other religious
instruction. So important is it, that a writer who cannot spell is
almost driven to abandon his calling, however urgent the thing he may
have to say, or his need of the incidentals of fame. Yet in the crisis
of such a struggle rebellious thoughts may arise. Even this: Why, after
all, should correct spelling be the one absolutely essential literary
merit? For it is less fatal for an ambitious scribe to be as dull as
Hoxton than to spell in diverse ways.

Yet correct spelling of English has not been traced to revelation; there
was no grammatical Sinai, with a dictionary instead of tables of stone.
Indeed, we do not even know certainly when correct spelling began, which
word in the language was first spelt the right way, and by whom. Correct
spelling may have been evolved, or it may be the creation of some master
mind. Its inventor, if it had an inventor, is absolutely forgotten.
Thomas Cobbett would have invented it, but that he was born more than
two centuries too late, poor man. All that we certainly know is that,
contemporaneously with the rise of extreme Puritanism, the belief in
orthography first spread among Elizabethan printers, and with the
Hanoverian succession the new doctrine possessed the whole length and
breadth of the land. At that time the world passed through what
extension lecturers call, for no particular reason, the classical epoch.
Nature--as, indeed, all the literature manuals testify--was in the
remotest background then of human thought. The human mind, in a mood of
the severest logic, brought everything to the touchstone of an orderly
reason; the conception of "correctness" dominated all mortal affairs.
For instance, one's natural hair with its vagaries of rat's tails,
duck's tails, errant curls, and baldness, gave place to an orderly wig,
or was at least decently powdered. The hoop remedied the deficiencies of
the feminine form, and the gardener clipped his yews into
respectability. All poetry was written to one measure in those days, and
a Royal Academy with a lady member was inaugurated that art might beco