FREE BOOKS

Author's List




PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   >>   >|  
ory of Britain. This last passage is valuable, not only because it reveals Mr. Chesterton as a marvellous rhetorician doing the honours of prose to his enemies, but because it helps to explain the essentially tragic view he takes of English history. I exaggerated a moment ago when I said that to Mr. Chesterton English history is the story of the rise of a governing class. What it really is to him is the story of a thorn-bush cut down by a Puritan. He has hung all the candles of his faith on the sacred thorn, like the lights on a Christmas-tree, and lo! it has been cut down and cast out of England with as little respect as though it were a verse from the Sermon on the Mount. It may be that Mr. Chesterton's sight is erratic, and that what he took to be the sacred thorn was really a Upas-tree. But in a sense that does not matter. He is entitled to his own fable, if he tells it honestly and beautifully; and it is as a tragic fable or romance of the downfall of liberty in England that one reads his _History_. He himself contends in the last chapter of the book that the crisis in English history came "with the fall of Richard II, following on his failures to use mediaeval despotism in the interests of mediaeval democracy." Mr. Chesterton's history would hardly be worth reading, if he had made nothing more of it than is suggested in that sentence. His book (apart from occasional sloughs of sophistry and fallacious argument) remains in the mind as a song of praise and dolour chanted by the imagination about an England that obeyed not God and despised the Tree of Life, but that may yet, he believes, hear once more the ancestral voices, and with her sons arrayed in trade unions and guilds, march riotously back into the Garden of Eden. IV. WORDSWORTH 1. HIS PERSONALITY AND GENIUS Dorothy Wordsworth--whom Professor Harper has praised not beyond reason as "the most delightful, the most fascinating woman who has enriched literary history"--once confessed in a letter about her brother William that "his person is not in his favour," and that he was "certainly rather plain." He is the most difficult of all the great poets whom one reverences to portray as an attractive person. "'Horse-face,' I have heard satirists say," Carlyle wrote of him, recalling a comparison of Hazlitt's; and the horse-face seems to be symbolic of something that we find not only in his personal appearance, but in his personality and his wo
PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   >>   >|  



Top keywords:

history

 

Chesterton

 

English

 

England

 

person

 
sacred
 

tragic

 

mediaeval

 

sophistry

 

Garden


fallacious
 

praise

 

argument

 

remains

 

WORDSWORTH

 

PERSONALITY

 

dolour

 
despised
 

voices

 

believes


arrayed

 

ancestral

 

riotously

 

chanted

 

imagination

 

obeyed

 
unions
 
guilds
 

letter

 
satirists

Carlyle

 

recalling

 

reverences

 
portray
 

attractive

 

comparison

 

Hazlitt

 

personal

 
appearance
 

personality


symbolic

 

reason

 

delightful

 

fascinating

 

praised

 

Dorothy

 
Wordsworth
 
Professor
 

Harper

 

enriched