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ied the magistrate's eulogy, for it certainly flew as much ahead of the stranger as the first had flown astern. "There, Signore," cried Ghita eagerly, as she turned to the magistrate, "they are about to hoist their ensign, for now they know your wishes. The soldiers surely will not fire again!" "That would be in the teeth of the law of nations, Signorina, and a blot on Tuscan civilization. Ah! you perceive the artillerists are aware of what you say, and are putting aside their tools. Cospetto! 'tis a thousand pities, too, they couldn't fire the third shot, that you might see it strike the lugger; as yet you have only beheld their preparations." "It is enough, Signor Podesta," returned Ghita, smiling, for she could smile now that she saw the soldiers intended no further mischief; "we have all heard of your Elba gunners, and what I _have_ seen convinces me of what they can do, when there is occasion. Look, Signore! the lugger is about to satisfy our curiosity." Sure enough, the stranger saw fit to comply with the usages of nations. It has been said, already, that the lugger was coming down before the wind wing-and-wing, or with a sail expanded to the air on each side of her hull, a disposition of the canvas that gives to the felucca, and to the lugger in particular, the most picturesque of all their graceful attitudes. Unlike the narrow-headed sails that a want of hands has introduced among ourselves, these foreign, we might almost say classical, mariners send forth their long pointed yards aloft, confining the width below by the necessary limits of the sheet, making up for the difference in elevation by the greater breadth of their canvas. The idea of the felucca's sails, in particular, would seem to have been literally taken from the wing of the large sea-fowl, the shape so nearly corresponding that, with the canvas spread in the manner just mentioned, one of those light craft has a very close resemblance to the gull or the hawk, as it poises itself in the air or is sweeping down upon its prey. The lugger has less of the beauty that adorns a picture, perhaps, than the strictly latine rig; but it approaches so near it as to be always pleasing to the eye, and, in the particular evolution described, is scarcely less attractive. To the seaman, however, it brings with it an air of greater service, being a mode of carrying canvas that will buffet with the heaviest gales or the roughest seas, while it appears so pleas
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