rules
Of speculation to disputing schools,
And teach us equally the scales to hold
Betwixt the two extremes of hot and cold;
That pious heat may moderately prevail, 110
And we be warm'd, but not be scorch'd with zeal:
Business might shorten, not disturb, her prayer;
Heaven had the best, if not the greater share.
An active life long orisons forbids;
Yet still she pray'd, for still she pray'd by deeds.
Her every day was Sabbath; only free
From hours of prayer, for hours of charity:
Such as the Jews from servile toil released;
Where works of mercy were a part of rest;
Such as blest angels exercise above, 120
Varied with sacred hymns and acts of love:
Such Sabbaths as that one she now enjoys,
Even that perpetual one, which she employs
(For such vicissitudes in heaven there are)
In praise alternate, and alternate prayer.
All this she practised here; that when she sprung
Amidst the choirs, at the first sight she sung:
Sung, and was sung herself in angels' lays;
For, praising her, they did her Maker praise.
All offices of heaven so well she knew, 130
Before she came, that nothing there was new:
And she was so familiarly received,
As one returning, not as one arrived.
Muse, down again precipitate thy flight!
For how can mortal eyes sustain immortal light?
But as the sun in water we can bear--
Yet not the sun, but his reflection there,
So let us view her, here, in what she was,
And take her image in this watery glass:
Yet look not every lineament to see; 140
Some will be cast in shades, and some will be
So lamely drawn, you'll scarcely know 'tis she.
For where such various virtues we recite,
'Tis like the milky-way, all over bright,
But sown so thick with stars,'tis undistinguish'd light.
Her virtue, not her virtues, let us call;
For one heroic comprehends them all:
One, as a constellation is but one,
Though 'tis a train of stars, that, rolling on,
Rise in their turn, and in the zodiac run: 150
Ever in motion; now 'tis faith ascends,
Now hope, now charity, that upward tends,
And downwards with diffusive good descends.
As in perfumes composed with art and cost,
'Tis hard to say what scent is uppermost;
Nor this part musk or civet can we call,
Or amber, but a rich
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