go in
a war with India, for they fired several cannon balls straight
into the mouth of the cave, which carried away several of the
columns and destroyed the ornamentation of others, but the Royal
Asiatic Society has taken the trouble to make careful and accurate
repairs.

Although the caves at Elephanta are wonderful, they are greatly
inferior in size and beauty to a larger group at Ellora, a day's
journey by train from Bombay, and after that a carriage or horseback
ride of two hours. There are 100 cave temples, carved out of
the solid rock between the second and the tenth centuries. They
are scattered along the base of a range of beautifully wooded
hills about 500 feet above the plain, and the amount of labor and
patience expended in their construction is appalling, especially
when one considers that the men who made them were without the
appliances and tools of modern times, knew nothing of explosives
and were dependent solely upon chisels of flint and other stones.
The greatest and finest of them is as perfect in its details and
as elaborate in its ornamentations as the cathedrals at Milan
or Toledo, except that it has been cut out of a single piece of
stone instead of being built up of many small pieces.

The architect made his plans with the most prodigal detail and
executed them with the greatest perfection. He took a solid rock,
an absolute monolith, and chiseled out of it a cathedral 365
feet long, 192 feet wide and 96 feet high, with four rows of
mighty columns sustaining a vaulted roof that is covered with
pictures in relief illustrating the power and the adventures
and the achievements of his gods. It would accommodate 5,000
worshippers. Around the walls he left rough projections, which
were afterward carved into symbolical figures and images, eight,
ten and twelve feet high, of elephants lions, tigers, oxen, rams,
swans and eagles, larger than life. Corner niches and recesses
have been enriched with the most intricate ornamentation, and
in them, still of the same rock, without the introduction of
an atom of outside material, the sculptors chiseled the figures
of forty or more of the principal Hindu deities. And on each
of the four sides is a massive altar carved out of the side of
the cliff with the most ornate and elaborate traceries and other
embellishment.

Indeed, my pen is not capable of describing these most wonderful
achievements of human genius and patience. But all of them have
been described