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t beauty. These are still to be seen--and remembered. With the exception of the "Maidan Shah," or "Square of the King"--a large open space in the centre of the city, surrounded by modern two-storied houses--the streets of Ispahan are narrow, dirty, and ill-paved, and its bazaar, which adjoins the Maidan Shah, very inferior in every way to those of Teheran or Shiraz. The palace of "Chil Situn," or "The Forty Pillars," is like most Persian palaces--the same walled gardens with straight walks, the usual avenues of cypress trees, and the inevitable tank of stone or marble in the centre of the grounds. It is owing to the reflection of the _facade_ of the palace in one of the latter that it has gained its name. There are in reality but twenty pillars, the forty being (with a stretch of imagination) made up by reflection in the dull and somewhat dirty pool of water at their feet. The palace itself is a tawdry, gimcrack-looking edifice, all looking-glass and vermilion and green paint in the worst possible taste. From the entrance-hall an arched doorway leads into the principal apartment, a lofty chamber about ninety feet long by fifty broad, its walls covered with large paintings representing the acts of the various Persian kings. Shah Abbas is portrayed under several conditions. In one scene he is surrounded by a band of drunken companions and dancing-girls, in costumes and positions that would hardly pass muster before our Lord Chamberlain. This room once contained the most beautiful and costly carpet in all Persia, but it has lately been sold "for the good of the State," and a dirty green drugget laid down in its place. In one of the side chambers are pictures representing ladies and gentlemen in the costume of Queen Elizabeth's time. How they got to Ispahan I was unable to discover. They are very old, and evidently by good masters. The way back to our comfortable quarters at Djulfa lay over the Zandarood river. There are five bridges, the principal one being that of Allaverdi Khan, named after one of the generals of Shah Abbas, who superintended its construction. It is of solid stonework, and built in thirty-three arches, over which are ninety-nine smaller arches above the roadway on both sides, enclosing a covered-in pathway for foot-passengers. The roadway in the centre, thirty feet wide, is well paved with stone, and perfectly level. Every thirty yards or so are stalls for the sale of kababs, fruit, sweetmeats, and t
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Djulfa