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w in America containing valuable and unpublished marginalia by Coleridge: _The Life of John Buncle_, Donne's _Poems_ ("I shall die soon, my dear Charles Lamb, and then you will not be vexed that I have scribbled your book. S.T.C., 2d May, 1811"), Reynolds' _God's Revenge against ... Murder_, 1651 ("O what a beautiful _concordia discordantium_ is an unthinking good man's soul!"), _The History of Philip de Commines_ in English, and Petwin's _Letters Concerning the Mind_. * * * * * Page 31. NEW YEAR'S EVE. _London Magazine_, January, 1821. The melancholy pessimism of this essay led to some remonstrance from robuster readers of the _London Magazine_. In addition to the letter from "A Father" referred to below, the essay produced, seven months later, in the August number of the _London Magazine_, a long poetical "Epistle to Elia," signed "Olen," in which very simply and touchingly Lamb was reminded that the grave is not the end, was asked to consider the promises of the Christian faith, and finally was offered a glimpse of some of the friends he would meet in heaven--among them Ulysses, Shakespeare and Alice W----n. Taylor, the publisher and editor of the magazine, sent Lamb a copy. He replied, acknowledging the kindness of the author, and adding:--"Poor Elia ... does not pretend to so very clear revelations of a future state of being as 'Olen' seems gifted with. He stumbles about dark mountains at best; but he knows at least how to be thankful for this life, and is too thankful, indeed, for certain relationships lent him here, not to tremble for a possible resumption of the gift. He is too apt to express himself lightly, and cannot be sorry for the present occasion, as it has called forth a reproof so Christian-like." Lamb thought the poet to be James Montgomery, but it was in reality Charles Abraham Elton. The poem was reprinted in a volume entitled _Boyhood and other Poems_, in 1835. It is conceivable that Lamb was reasoned with privately upon the sentiments expressed in this essay; and perhaps we may take the following sonnet which he contributed over his own name to, the _London Magazine_ for April, 1821, as a kind of defiant postscript thereto, a further challenge to those who reproached him for his remarks concerning death, and who suggested that he did not really mean them:-- They talk of time, and of time's galling yoke, That like a millstone on man's mind doth pre
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