, and raise a national outcry because
one of German blood has been convicted of crime in a foreign country.
They are acute critics, yet they still wield clubs in controversy.
Compare them in this respect with the people schooled in La Bruyere, La
Fontaine, Moliere; with the people who have the figures of a Trissotin
and a Vadius before them for a comic warning of the personal vanities
of the caressed professor. It is more than difference of race. It is the
difference of traditions, temper, and style, which comes of schooling.

The French controversialist is a polished swordsman, to be dreaded
in his graces and courtesies. The German is Orson, or the mob, or a
marching army, in defence of a good case or a bad--a big or a little.
His irony is a missile of terrific tonnage: sarcasm he emits like a
blast from a dragon's mouth. He must and will be Titan. He stamps his
foe underfoot, and is astonished that the creature is not dead, but
stinging; for, in truth, the Titan is contending, by comparison, with a
god.

When the Germans lie on their arms, looking across the Alsatian frontier
at the crowds of Frenchmen rushing to applaud L'ami Fritz at the Theatre
Francais, looking and considering the meaning of that applause, which
is grimly comic in its political response to the domestic moral of the
play--when the Germans watch and are silent, their force of character
tells. They are kings in music, we may say princes in poetry, good
speculators in philosophy, and our leaders in scholarship. That so
gifted a race, possessed moreover of the stern good sense which collects
the waters of laughter to make the wells, should show at a disadvantage,
I hold for a proof, instructive to us, that the discipline of the comic
spirit is needful to their growth. We see what they can reach to in that
great figure of modern manhood, Goethe. They are a growing people;
they are conversable as well; and when their men, as in France, and
at intervals at Berlin tea-tables, consent to talk on equal terms with
their women, and to listen to them, their growth will be accelerated and
be shapelier. Comedy, or in any form the Comic spirit, will then come to
them to cut some figures out of the block, show them the mirror, enliven
and irradiate the social intelligence.

Modern French comedy is commendable for the directness of the study
of actual life, as far as that, which is but the early step in such a
scholarship, can be of service in composing and colour