eir business, but are ignorant of everything which is outside
it. So that to preserve their self-conceit they question everything, are
crudely and crookedly critical. They appear to be sceptics and are in
reality simpletons; they swamp their wits in interminable arguments.
Almost all conveniently adopt social, literary, or political prejudices,
to do away with the need of having opinions, just as they adapt their
conscience to the standard of the Code or the Tribunal of Commerce.
Having started early to become men of note, they turn into mediocrities,
and crawl over the high places of the world. So, too, their faces
present the harsh pallor, the deceitful coloring, those dull, tarnished
eyes, and garrulous, sensual mouths, in which the observer recognizes
the symptoms of the degeneracy of the thought and its rotation in the
circle of a special idea which destroys the creative faculties of the
brain and the gift of seeing in large, of generalizing and deducing. No
man who has allowed himself to be caught in the revolutions of the gear
of these huge machines can ever become great. If he is a doctor, either
he has practised little or he is an exception--a Bichat who dies young.
If a great merchant, something remains--he is almost Jacques Coeur. Did
Robespierre practise? Danton was an idler who waited. But who, moreover
has ever felt envious of the figures of Danton and Robespierre, however
lofty they were? These men of affairs, _par excellence_, attract money
to them, and hoard it in order to ally themselves with aristocratic
families. If the ambition of the working-man is that of the small
tradesman, here, too, are the same passions. The type of this class
might be either an ambitious bourgeois, who, after a life of privation
and continual scheming, passes into the Council of State as an ant
passes through a chink; or some newspaper editor, jaded with intrigue,
whom the king makes a peer of France--perhaps to revenge himself on the
nobility; or some notary become mayor of his parish: all people crushed
with business, who, if they attain their end, are literally _killed_ in
its attainment. In France the usage is to glorify wigs. Napoleon, Louis
XVI., the great rulers, alone have always wished for young men to fulfil
their projects.

Above this sphere the artist world exists. But here, too, the faces
stamped with the seal of originality are worn, nobly indeed, but worn,
fatigued, nervous. Harassed by a need of production, ou