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ther papers. Philipp Galen, the German novelist, composes during the daytime, and sometimes labors till ten o'clock in the evening. He makes an outline of his story before he prepares the "copy" for the press. He requires no stimulants at work, but when he is through he relishes a glass of wine. He has a habit of perambulating the room when engaged in meditation about a new book, and he writes with remarkable rapidity. He never puts pen to paper without inclination, because, as he says, he always feels disposed to do literary work. Formerly he worked daily from twelve to fourteen hours; now he spends only from six to eight hours at the writing-desk every day. W. D. Howells always keeps his manuscript six or seven months ahead of the time for publication. Being of a nervous disposition, he could not rely on himself to furnish matter at short notice. When it is possible, he completes a book before giving a page of it to a magazine. He finds the morning to be the best time for brain-labor. He asserts that the first half of the day is the best part of a man's life, and always selects it for his working hours. He usually begins at nine and stops at one, and manages in that time to write about a dozen manuscript pages. After that he enjoys his leisure; that is, he reads, corrects proof, walks about, and pays visits. When he went to Venice as the United States consul he soon threw off the late-hour habits to which he was accustomed as a journalist. There was so little to keep him employed, and the neighborhood was so quiet and delightful, that he began doing his work in the morning, and he has continued the habit ever since. He does not generally make a "skeleton" of his work; in fact, he almost never does. He says that he leans toward indolence, and always forces himself more or less to work, keeping from it as long as he can invent any excuse. He often works when he is dull or heavy from a bad night, and finds that the indisposition wears off. Howells rarely misses a day from any cause, and, for a lazy man, as he calls himself, is extremely industrious. Georgiana M. Craik never, except on the rarest occasions, wrote at night. She did not always make an outline of her books beforehand, but generally did so. She wrote from nine A. M. until two P. M. in winter, and in summer she seldom wrote at all. When she once began to write a book, she worked at it steadily four or five hours every day, without any regard to inclinati
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