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be consecrated through your love, your good wishes and the deep obligation which I bear to you, all of you who have encouraged, helped and given to me! May it be consecrated by the German spirit which away over the centuries sends forth its youthful morning-greeting to you." The performance of the symphony of that artist, to whom Wagner himself attributes religious consecration according to eye-witnesses, gave to this festival, also "the character of a sacred celebration," as had once been true of the great Beethoven academy in November, 1814. At the evening celebration, however, Wagner recalled again the large-heartedness of his King, and said that to this was due what they had experienced to-day, but that its influence reached far beyond civil and state affairs. It guaranteed the ultimate possession of a high intellectual culture, and was the stepping-stone to the grandest that a nation can achieve. Would the time soon come which shall fitly name this King, as it already recognized him, a "Louis the German" in a far nobler sense than his great ancestor? "Certainly no fear of the always existing majority of the vulgar and the coarse is to prevent us from confessing that the greatest, weightiest and most important revelation which the world can show is not the world-conqueror but he who has overcome the world:" thus teaches the philosopher, and we shall soon perceive that this was also true of Wagner and his royal friend. The fame of this celebration, which had so deeply stirred everyone present, resounded through all countries, appealed to all true German hearts. And yet, how many remained even now indifferent and incredulous! The "nation," as such, did not respond to the call. It did not, or would not, understand it, uttered by a man who had told us so many unwelcome truths to our face. It still lay paralyzed in foreign and unworthy bondage, and was, besides, for the time too much engrossed with the affairs of the empire, whose novelty had not yet worn off. "From morn till eve, in toil and anguish, Not easily gained it was." These words of _Wotan_, about his castle Walhalla, were only to be too fully realized by our master. His "friends" alone gave him comfort, and their number he saw constantly increase from out of the midst of the people whose leaders in art-matters they were more and more destined to become. The public interest was kept alive and stirred afresh with concerts and discourses. The
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