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ess than the single Thiers or Michelet, and not half as long as Louis Blanc. We can easily read them through; and we shall find that they have made all things clear to us, that we can trust them, and that we have nothing to unlearn. But if we confine ourselves to the company of men who steer a judicious middle course, with whom we find that we can agree, our wisdom will turn sour, and we shall never behold parties in their strength. No man feels the grandeur of the Revolution till he reads Michelet, or the horror of it without reading Taine. But I have kept the best for the end, and will speak of Taine, and two or three more who rival Taine, next week. * * * * * After much partial and contentious writing, sagacious men attained a reasonable judgment on the good and evil, the truth and error, of the Revolution. The view established by constitutional royalists, like Duvergier de Hauranne, and by men equidistant from royalist or republican exclusiveness, such as Tocqueville and Laboulaye, was very largely shared by intelligent democrats, more particularly by Lanfrey, and by Quinet in his two volumes on the genius of the Revolution. At that time, under the Second Empire, there was nothing that could be called an adequate history. The archives were practically unexplored, and men had no idea of the amount of labour serious exploration implies. The first writer who produced original matter from the papers of the Paris Commune was Mortimer Ternaux, whose eight volumes on the Reign of Terror came out between 1862 and 1880. What he revealed was so decisive that it obliged Sybel to rewrite what he had written on the scenes of September. When I describe the real study of the Revolution as beginning with Tocqueville and Ternaux, I mean the study of it in the genuine and official sources. Memoirs, of course, abounded. There are more than a hundred. But memoirs do not supply the certainty of history. Certainty comes with the means of control, and there is no controlling or testing memoirs without the contemporary document. Down to the middle of the century, private letters and official documents were rare. Then, in the early summer of 1851, two important collections appeared within a few weeks of each other. First came the _Memoirs_ of Mallet du Pan, a liberal, independent, and discerning observer, whom, apart from the gift of style, Taine compares to Burke, and who, like Burke, went over to the
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