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both having the same root as the Anglo-Saxon word "smelt." The enamels of China and Japan so extensively imported into this country of late years are chiefly made by filling cloisons or cells formed of fine metal wires or plates with coloured enamels and then firing them. As the collector advances in his appreciation of the old craftsmen, he soon recognizes the difference between the antiques sent over by Oriental merchants and the modern works made on present-day commercial lines, and not the work of men whose time was deemed of small account if they acquired notoriety for the beauty of their work. The household enamels of English make consist chiefly of those beautiful little boxes, trinkets, and domestic objects made at Battersea and Bilston in the eighteenth century. The enamels used for the ground were tinted rose, blue, and other shades, and ornamented with painted pictures and mottoes. A very fine group of Battersea patch boxes is shown in Fig. 63. VIII LEATHER AND HORN CHAPTER VIII LEATHER AND HORN Spanish leather--"Cuir boulli" work--Tapestry and upholstery--Leather bottles and drinking vessels--Leather curios--Shoes--Horn work. That "there is nothing like leather" has been believed by people of all ages, and in many countries the general belief has been put into practice, for many indeed are the uses to which leather has been put. As a lasting material it has been proved to possess excellent qualities. The artist, too, has found that leather is capable of being treated so as to give the effect of delicate carvings, and to serve well many purposes of decoration. In the East leather was used in patriarchal times, the skins of animals making excellent water bottles. In mediaeval England leather black jacks, cups, and flagons withstood the rough usage of those roisterous times. The collector seeks both useful and ornamental, and finds much to delight among the old leathern objects hid away as being now quite useless or antiquated. Spanish Leather. As early as the fifteenth century Cordova, in Spain, was celebrated for its workers in leather, and for the fine ornamental leather vessels produced there. Some of the designs favoured by Spanish craftsmen were gruesome in the extreme. Indeed, many were fashioned for the purpose of creating fear in the use of the vessels so ornamented. A few years ago a remarkably fine collection of old Spanish leather work was e
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