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polished brass, usually in pairs, and when several were arranged on a mantelpiece they presented a bright array. The one illustrated in Fig. 54 is of the type much favoured in country districts. It represents a shepherd with his crook, the companion brass being a shepherdess. On the sea-coast fishermen were much fancied, and in mining districts the miner with his pick and other industrial models were extensively sold. These were varied with birds and animals and miniature replicas of household furniture. The older ones are not very common, and therefore have been much copied, for of these goods there are many modern replicas. Vases. Ornamental vases have varied much in form, until a collection seems to cover every style of art. Thus Egyptian and Roman influence is seen in some; others of French origin, dating before the Empire period, are a combination of French art with Egyptian ornament, brought out during the Directoire, when after the Battle of the Pyramids French artists introduced the sphinx and other Egyptian ornaments into their art designs. During the Empire period, the style that is said to consist of a blending of Roman, Greek, and Egyptian prevailed. Many of the continental countries have been noted for glass ornaments--especially vases. The beautiful Venetian glass is rich in colour, and the vases are varied and graceful in form, especially those of ewer-like shape. Bohemia has always been a noted centre of the glass industry. Then in our own country some beautiful vases have been produced. There are other materials which are met with in curiously shaped vases. At one time the beautiful Derbyshire spars were much used. There are biscuit china and Parian vases, and many exquisite vases of silver and other metals. Much might be written of the Oriental vases and enamels, especially of the artistic treasures of Old Japan and China, from whence so much of our early vases and beautiful porcelain came. Of the products of Chelsea and Bow, of Coalbrookdale and Derby, and of Bristol and Nantgrw, writers and collectors of rare ceramics have had much to record of the many-shaped vases with which the homes of the middle classes were made beautiful in the eighteenth and early nineteenth centuries. These are preserved with care, but many of the vases produced by the pioneers of the potting industry in this country serve their original purpose still, and glass and china and rare Wedgwood jasper ware ornament the ho
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