found formerly. The Lords might have
had the privilege of peerage (Justice Rolles being Lord Chief Justice),
but they declined it by the advice of Mr. Maynard and the rest of their
counsel, least by that means the matter might have been brought about
again, therefore they went upon the former verdict of manslaughter, and
so were acquitted; yet to be burned in the hand, which was done to them
both a day or two after, but very favourably." These were the first
peers that had been burned in the hand, and the democratic Earl of
Leicester expresses at the event some satisfaction, and derives from the
whole circumstances of the trial comfortable assurance of the power and
stability of the Government. The Earl, however, misleads us in one
particular. Lord Arundel was Henry Compton's second. He had married
Cecily Compton, and naturally enough acted as his brother-in-law's
second. It is also interesting to remember that Lord Chandos was known
to the world as something other than a duelist. He was an eminent
loyalist, among the first of those nobles who left Westminster, and at
Newbury fight had his three horses killed under him. Lady Carey was
Mary, natural daughter of Lord Scrope, who married Henry Carey, commonly
called Lord Leppington. Lady Leppington (or Carey) lost her husband in
1649, and her son died May 24, 1653. This helps us to date the letter.
Of her "kindness to Compton," of which Dorothy writes in her next
letter, nothing is known, but she married Charles Paulet, Lord St. John,
afterwards the Duke of Bolton, early in 1654.
The jealous Sir T---- here mentioned may be Sir Thomas Osborne, who, we
may suppose, was not well pleased at the refusal of his offer.
Sir Peter Lely did paint a portrait of Lady Diana Rich some months
after this date. It is somewhat curious that he should remain in England
during the Civil Wars; but his business was to paint all men's
portraits. He had painted Charles I.; now he was painting Cromwell. It
was to him Cromwell is said to have shouted: "Paint the warts! paint the
warts!" when the courtly Sir Peter would have made a presentable picture
even of the Lord General himself. Cromwell was a sound critic in this,
and had detected the main fault of Sir Peter's portraits, whose value to
us is greatly lessened by the artist's constant habit of flattery.
SIR,--If it were the carrier's fault that you stayed so long for your
letters, you are revenged, for I have chid him most unreasonably. B
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