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erica. You so often found the former abodes of glorious names with a modern rental out of all proportion with their historic interest. This house, poppa calculated, would let to-day at a figure discreditable neither to Cristoforo himself, nor to the United States of America. Mr. Bebbini, unfortunately, could not tell him what that figure was. On the steps of San Lorenzo Cathedral momma paused and cast a searching glance into all the corners. "Where are the beggars?" she inquired, not without injury. "I have _always_ been given to understand that church entrances in Italy were disgracefully thronged with beggars of the lowest type. I have never seen a picture of a sacred building without them!" "So that was why you wanted so much small change, Augusta," said the Senator. "Mr. Bebbini says there's a law against them nowadays. Now that you mention it, I'm disappointed there too. Municipal progress in Italy is something you've not prepared for somehow. I daresay if we only knew it, they're thinking of lighting this town with electricity, and the Board of Aldermen are considering contracts for cable cars." "Do not inquire, Alexander," begged momma, but the Senator had fallen behind with Mr. Bebbini in earnest conversation, and we gathered that its import was entirely modern. It was our first Italian church and it was impressive, for a President of the French Republic had just fallen to the knife of an Italian assassin, and from the altar to the door San Lorenzo was in mourning and in penance. Masses for his soul's repose had that day been said and sung; near the door hung a request for the prayers of all good Christians to this end. Many of the grave-eyed people that came and went were doubtless about this business, but one, I know, was there on a private errand. He prayed at a chapel aside, kneeling on the floor beside the railings, his cap in his hands, grasping it just as the peasant in The Angelus grasps his. Inside the altar hung a picture of a pitying woman, and there were candles and foolish flowers of tinsel, but beside these, many tokens of hearts, gold and silver, thick below the altar, crowding the partition walls. The hearts were grateful ones--Alessandro explained in an undertone--brought and left by many who had been preserved from violent death by the saint there, and he who knelt was a workman just from hospital, who had fallen, with his son, from a building. The boy had been killed, the father on
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