FREE BOOKS

Author's List




PREV.   NEXT  
|<   424   425   426   427   428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   444   445   446   447   448  
449   450   451   452   453   454   455   456   >>  
istic faculty are certainly very great, even if we do not take the extremes. The gradations of power between the ordinary man or woman "who does not draw," and whose attempts at representing any object, animate or inanimate, would be laughable, and the average good artist who, with a few bold strokes, can produce a recognisable and even effective sketch of a landscape, a street, or an animal, are very numerous; and we can hardly measure the difference between them at less than fifty or a hundred fold. The musical faculty is undoubtedly, in its lower forms, less uncommon than either of the preceding, but it still differs essentially from the necessary or useful faculties in that it is almost entirely wanting in one-half even of civilised men. For every person who draws, as it were instinctively, there are probably five or ten who sing or play without having been taught and from mere innate love and perception of melody and harmony.[235] On the other hand, there are probably about as many who seem absolutely deficient in musical perception, who take little pleasure in it, who cannot perceive discords or remember tunes, and who could not learn to sing or play with any amount of study. The gradations, too, are here quite as great as in mathematics or pictorial art, and the special faculty of the great musical composer must be reckoned many hundreds or perhaps thousands of times greater than that of the ordinary "unmusical" person above referred to. It appears then, that, both on account of the limited number of persons gifted with the mathematical, the artistic, or the musical faculty, as well as from the enormous variations in its development, these mental powers differ widely from those which are essential to man, and are, for the most part, common to him and the lower animals; and that they could not, therefore, possibly have been developed in him by means of the law of natural selection. * * * * * We have thus shown, by two distinct lines of argument, that faculties are developed in civilised man which, both in their mode of origin, their function, and their variations, are altogether distinct from those other characters and faculties which are essential to him, and which have been brought to their actual state of efficiency by the necessities of his existence. And besides the three which have been specially referred to, there are others which evidently belong to the same class. Su
PREV.   NEXT  
|<   424   425   426   427   428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   444   445   446   447   448  
449   450   451   452   453   454   455   456   >>  



Top keywords:

musical

 

faculty

 
faculties
 

developed

 

distinct

 
perception
 

civilised

 

variations

 
referred
 

person


essential

 

gradations

 

ordinary

 

mathematical

 
specially
 

artistic

 

appears

 

evidently

 

gifted

 

belong


limited

 

account

 

number

 

persons

 

pictorial

 

special

 

composer

 

mathematics

 

reckoned

 
unmusical

greater

 

hundreds

 

thousands

 
possibly
 
function
 
origin
 

altogether

 

brought

 
characters
 

argument


selection

 
natural
 
animals
 
actual
 

mental

 

powers

 
differ
 

development

 

enormous

 

existence