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igin of, 116 Weale, Mr. Mansel, on protective colours of butterflies, 206 Weeds of United States, 15 Weir, Mr. Jenner, on deceptive resemblance of a caterpillar to a twig, 204 on inedibility of conspicuous caterpillars, 236 on birds disregarding inedible larvae, 254 Weismann on progressive adaptation of colours of larva, 206 on non-heredity of acquired characters, 440 and Galton's theories of heredity almost identical, 443 (note) on origin of the mathematical faculty, 472 (note) Weismann's theory of heredity, 437 Westwood, Professor, on variation of insects, 44 deceived by a mimicking cricket, 259 White coloration of insular birds and butterflies, 230 Whymper, Mr., his sensations when falling on the Matterhorn, 38 Willows, species and varieties of British, 77 Wilson, Alexander, his account of the passenger-pigeon in North America, 31 Wind-carriage of seeds explains many facts of plant distribution, 371 Wind-dispersal of seeds, objections to, 365 Wind-fertilised degraded from insect-fertilised flowers, 324 Wings of stone-curlews (figure), 223 why small but useless are retained, 416 Wit and humour, origin of faculties of, 472 Wollaston, Mr. T.W., on variation of beetles, 44 on small butterfly in Porto Santo, 106 Wolves, varieties of in Catskill Mountains, 105 Wood, Mr. J., on muscular variations, 447 Mr. T.W., on variable colouring of pupae of cabbage butterflies, 197 Woodward, Dr. S.P., on variation of mollusca, 43 =Y= Youatt, on breeds of sheep, 97 Young animals often spotted, 289 =Z= Zebra, markings for recognition and protection, 220 (note) THE END End of Project Gutenberg's Darwinism (1889), by Alfred Russel Wallace *** END OF THIS PROJECT GUTENBERG EBOOK DARWINISM (1889) *** ***** This file should be named 14558.txt or 14558.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/5/5/14558/ Produced by StevenGibbs and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part o
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