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it Mousqueton. Et les deux amis se separerent apres s'etre serre la main. D'Artagnan resta sur la porte, suivant d'un oeil melancolique Porthos qui s'eloignait. Mais au bout de vingt pas, Porthos s'arreta tout court, se frappa le front et revint. -- Je me rappelle, dit-il. -- Quoi? demanda d'Artagnan. -- Quel est ce mendiant que j'ai tue. -- Ah vraiment! qui est-ce? -- C'est cette canaille de Bonacieux. Et Porthos, enchante d'avoir l'esprit libre, rejoignit Mousqueton, avec lequel il disparut au coin de la rue. D'Artagnan demeura un instant immobile et pensif puis, en se retournant il apercut la belle Madeleine, qui, inquiete des nouvelles grandeurs de d'Artagnan, se tenait debout sur le seuil de la porte. -- Madeleine, dit le Gascon, donnez-moi l'appartement du premier; je suis oblige de representer, maintenant que je suis capitaine des mousquetaires. Mais gardez-moi toujours la chambre du cinquieme; on ne sait ce qui peut arriver. FIN End of the Project Gutenberg EBook of Vingt ans apres, by Alexandre Dumas *** END OF THIS PROJECT GUTENBERG EBOOK VINGT ANS APRES *** ***** This file should be named 13952.txt or 13952.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/9/5/13952/ This Etext was prepared by Ebooks libres et gratuits and is available at http://www.ebooksgratuits.com in Word format, Mobipocket Reader format, eReader format and Acrobat Reader format. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practica
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