rs on the 6th July. Here the boats were sent ashore
and the French were able to do a little trading with the Indians.
About a week later, Cartier went northward once more and soon sought
shelter from a violent gulf storm by anchoring in Gaspe Bay. On the
headland there he planted a great wooden cross with the arms of
France, the first symbol of Bourbon dominion in the New Land, and the
same symbol that successive explorers, chanting the _Vexilla Regis_,
were in time to set aloft from the Gulf of St. Lawrence to the Gulf of
Mexico. It was the augury of the white man's coming.

Crossing next to the southerly shore of Anticosti the voyageurs almost
circled the island until the constant and adverse winds which
Cartier met in the gradually narrowing channel forced him to defer
indefinitely his hope of finding a western passage, and he therefore
headed his ships back to Belle Isle. It was now mid-August, and the
season of autumnal storms was drawing near. Cartier had come to
explore, to search for a westward route to the Indies, to look for
precious metals, not to establish a colony. He accordingly decided to
set sail for home and, with favoring winds, was able to reach St. Malo
in the early days of September.

In one sense the voyage of 1534 had been a failure. No stores of
mineral wealth had been discovered and no short route to Cipango or
Cathay. Yet the spirit of exploration had been awakened. Carrier's
recital of his voyage had aroused the interest of both the King and
his people, so that the navigator's request for better equipment to
make another voyage was readily granted. On May 19, 1535, Cartier once
more set forth from St. Malo, this time with three vessels and with a
royal patent, empowering him to take possession of new lands in his
sovereign's name. With Cartier on this voyage there were over one
hundred men, of whom the majority were hardened Malouins, veterans of
the sea. How he found accommodation for all of them, with supplies and
provisions, in three small vessels whose total burden was only two
hundred and twenty tons, is not least among the mysteries of this
remarkable voyage.[1]

[Footnote 1: The shipbuilders old measure for determining tonnage was
to multiply the length of a vessel minus three-quarters of the beam by
the beam, then to multiply the product by one-half the beam, then
to divide this final product by 94. The resulting quotient was the
tonnage. On this basis Cartier's three ships were 67