were keen. At the Sorbonne, Guizot,
Cousin, and Villemain were the orators of the day. Frayssinous
lectured at Saint-Sulpice, and de Lamennais, attacking young
Liberalism, denounced its tenets in an essay which de Maistre called a
heaving of the earth under a leaden sky.

The country's material prosperity at the time was considerable, and
reacted upon literature of every kind by furnishing a more leisured
public. In 1816 Emile Deschamps preluded to the after-triumphs of the
Romantic School with his play the _Tour de faveur_, the latter being
followed in 1820 by Lebrun's _Marie Stuart_. Alfred de Vigny was
preparing his _Eloa_; Nodier was delighting everybody by his talents
as a philologian, novelist, poet, and chemist. Beranger was continuing
his songs, and paying for his boldness with imprisonment. The King
himself was a protector of letters, arts, and sciences. One of his
first tasks was to reorganize the "Institut Royal," making it into
four Academies. He founded the Geographical and Asiatic Societies,
encouraged the introduction of steam navigation and traction into
France, and patronized men of genius wherever he met with them.

Yet the nation's fidelity to the White Flag was not very deep-rooted.
Grateful though the population had been for the return of peace and
prosperity, a lurking reminiscence of Napoleonic splendours combined
with the bourgeois' Voltairian scepticism to rouse a widespread
hostility to Government and Church, as soon as the spirit of the
latter ventured to manifest again its inveterate intolerance.
Beranger's songs, Paul-Louis Courier's pamphlets, and the articles of
the _Constitutionnel_ fanned the re-awakened sentiments of revolt; and
Charles the Tenth's ministers, less wisely restrained than those of
Louis XVIII., and blind to the significance of the first barricades of
1827, provoked the catastrophe of 1830. This second revolution
inaugurated the reign of a bourgeois king. Louis-Philippe was hardly
more than a delegate of the bourgeois class, who now reaped the full
benefits of the great Revolution and entered into possession of its
spoils. During Jacobin dictature and Napoleonic sway, the bourgeoisie
had played a waiting role. At present they came to the front, proudly
conscious of their merits; and an entire literature was destined to be
devoted to them, an entire art to depict or satirize their manners.
Scribe, Stendhal, Merimee, Henry Monnier, Daumier, and Gavarni were
some of the men