t all they saw, all they had
read, and something of what they thought. What was wanting to make this
charming camaraderie perfect? Only one thing.

It may have occurred to Philip that Celia had not sufficient respect for
his opinions; she regarded them simply as opinions, not as his.

One afternoon, in the Metropolitan Picture-Gallery, Philip had been
expressing enthusiasm for some paintings that Celia thought more
sentimental than artistic, and this reminded her that he was getting
into a general way of admiring everything.

"You didn't use, Philip, to care so much for pictures."

"Oh, I've been seeing more."

"But you don't say you like that? Look at the drawing."

"Well, it tells the story."

"A story is nothing; it's the way it's told. This is not well told."

"It pleases me. Look at that girl."

"Yes, she is domestic. I admit that. But I'm not sure I do not prefer
an impressionistic girl, whom you can't half see, to such a thorough
bread-and-butter miss as this."

"Which would you rather live with?"

"I'm not obliged to live with either. In fact, I'd rather live with
myself. If it's art, I want art; if it's cooking and sewing, I want
cooking and sewing. If the artist knew enough, he'd paint a woman
instead of a cook."

"Then you don't care for real life?"

"Real life! There is no such thing. You are demonstrating that. You
transform this uninteresting piece of domesticity into an ideal woman,
ennobling her surroundings. She doesn't do it. She is level with them."

"It would be a dreary world if we didn't idealize things."

"So it would. And that is what I complain of in such 'art' as this. I
don't know what has got into you, Phil. I never saw you so exuberant.
You are pleased with everything. Have you had a rise in the office? Have
you finished your novel?"

"Neither. No rise. No novel. But Tweedle is getting friendly. Threw
an extra job in my way the other day. Do you think I'd better offer my
novel, when it is done, to Tweedle?"

"Tweedle, indeed!"

"Well, one of our clients is one of the great publishing firms, and
Tweedle often dines with the publisher."

"For shame, Phil!"

Philip laughed. "At any rate, that is no meaner than a suggestion of
Brad's. He says if I will just weave into it a lot of line scenery, and
set my people traveling on the great trunk, stopping off now and then at
an attractive branch, the interested railroads would gladly print it and
scatter it all over the count