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"And like my grandfather," he added. "God grant that, also." This time it was the Chancellor who yawned, a yawn that was half a sigh. He was very weary, and very sad. Suddenly, after a silence, the King spoke: "May a King do anything he wants?" "Not at all," said the Chancellor hastily. "But, if it will not hurt the people? I want to do two things, or have two things. They are both quite easy." His tone was anxious. "What are they?" "You wouldn't like to promise first, would you?" The Chancellor smiled in the darkness. "Good strategy, but I am an old soldier, Majesty. What are they?" "First, I would like to have a dog; one to keep with me." "I--probably that can be arranged." "Thank you. I do want a dog. And--" he hesitated. "Yes, Majesty?" "I am very fond of Nikky," said the King. "And he is not very happy. He looks sad, sometimes. I would like him to marry Hedwig, so we can all be together the rest of our lives." The Chancellor hesitated. But, after all, why not? He had followed ambition all his life, and where had it brought him? An old man, whose only happiness lay in this child in his arms. "Perhaps," he said gently, "that can be arranged also." The night air blew softly through the open windows. The little King smiled, contentedly, and closed his eyes. "I'm getting rather sleepy," he said. "But if I'm not too heavy, I'd like you to hold me a little longer." "You are not too heavy, Majesty." Soon the Chancellor, worn not with one day, but with many, was nodding. His eyes closed under his fierce eyebrows. Finally they both slept. The room was silent. Something slipped out of the little King's hand and rolled to the floor. It was the box containing the Lincoln penny. End of Project Gutenberg's Long Live the King, by Mary Roberts Rinehart *** END OF THIS PROJECT GUTENBERG EBOOK LONG LIVE THE KING *** ***** This file should be named 2714.txt or 2714.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/1/2714/ Produced by An Anonymous Project Gutenberg Volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royaltie
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