RE are certain themes of which the interest is all-absorbing, but
which are too entirely horrible for the purposes of legitimate fiction.
These the mere romanticist must eschew, if he do not wish to offend or
to disgust. They are with propriety handled only when the severity and
majesty of Truth sanctify and sustain them. We thrill, for example, with
the most intense of "pleasurable pain" over the accounts of the Passage
of the Beresina, of the Earthquake at Lisbon, of the Plague at London,
of the Massacre of St. Bartholomew, or of the stifling of the hundred
and twenty-three prisoners in the Black Hole at Calcutta. But in these
accounts it is the fact----it is the reality----it is the history which
excites. As inventions, we should regard them with simple abhorrence.

I have mentioned some few of the more prominent and august calamities
on record; but in these it is the extent, not less than the character
of the calamity, which so vividly impresses the fancy. I need not remind
the reader that, from the long and weird catalogue of human miseries,
I might have selected many individual instances more replete with
essential suffering than any of these vast generalities of disaster.
The true wretchedness, indeed--the ultimate woe----is particular, not
diffuse. That the ghastly extremes of agony are endured by man the unit,
and never by man the mass----for this let us thank a merciful God!

To be buried while alive is, beyond question, the most terrific of these
extremes which has ever fallen to the lot of mere mortality. That it has
frequently, very frequently, so fallen will scarcely be denied by those
who think. The boundaries which divide Life from Death are at best
shadowy and vague. Who shall say where the one ends, and where the other
begins? We know that there are diseases in which occur total cessations
of all the apparent functions of vitality, and yet in which these
cessations are merely suspensions, properly so called. They are only
temporary pauses in the incomprehensible mechanism. A certain period
elapses, and some unseen mysterious principle again sets in motion the
magic pinions and the wizard wheels. The silver cord was not for ever
loosed, nor the golden bowl irreparably broken. But where, meantime, was
the soul?

Apart, however, from the inevitable conclusion, a priori that such
causes must produce such effects----that the well-known occurrence of
such cases of suspended animation must naturally give ris