ties should not
in some degree have been mixed and colored with the divine? that
their genius should not have in it, even after the lapse of ages,
some little of heaven?"
For a time the rustling of the fan was all the sound heard in the
chamber.
"In the sense which limits art to sculpture and painting, it is
true," she next said, "Israel has had no artists."
The admission was made regretfully, for it must be remembered
she was a Sadducee, whose faith, unlike that of the Pharisees,
permitted a love of the beautiful in every form, and without
reference to its origin.
"Still he who would do justice," she proceeded, "will not forget that
the cunning of our hands was bound by the prohibition, 'Thou shalt
not make unto thee any graven image, or any likeness of anything;'
which the Sopherim wickedly extended beyond its purpose and time.
Nor should it be forgotten that long before Daedalus appeared in
Attica and with his wooden statues so transformed sculpture as
to make possible the schools of Corinth and AEgina, and their
ultimate triumphs the Poecile and Capitolium--long before the
age of Daedalus, I say, two Israelites, Bezaleel and Aholiab,
the master-builders of the first tabernacle, said to have been
skilled 'in all manner of workmanship,' wrought the cherubim of the
mercy-seat above the ark. Of gold beaten, not chiseled, were they;
and they were statues in form both human and divine. 'And they
shall stretch forth their wings on high, .... and their faces
shall look one to another.' Who will say they were not beautiful?
or that they were not the first statues?"
"Oh, I see now why the Greek outstripped us," said Judah, intensely
interested. "And the ark; accursed be the Babylonians who destroyed
it!"
"Nay, Judah, be of faith. It was not destroyed, only lost, hidden
away too safely in some cavern of the mountains. One day--Hillel
and Shammai both say so--one day, in the Lord's good time, it will
be found and brought forth, and Israel dance before it, singing as
of old. And they who look upon the faces of the cherubim then,
though they have seen the face of the ivory Minerva, will be ready
to kiss the hand of the Jew from love of his genius, asleep through
all the thousands of years."
The mother, in her eagerness, had risen into something like the
rapidity and vehemence of a speech-maker; but now, to recover
herself, or to pick up the thread of her thought, she rested
awhile.
"You are so good, my mothe
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