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ties should not in some degree have been mixed and colored with the divine? that their genius should not have in it, even after the lapse of ages, some little of heaven?" For a time the rustling of the fan was all the sound heard in the chamber. "In the sense which limits art to sculpture and painting, it is true," she next said, "Israel has had no artists." The admission was made regretfully, for it must be remembered she was a Sadducee, whose faith, unlike that of the Pharisees, permitted a love of the beautiful in every form, and without reference to its origin. "Still he who would do justice," she proceeded, "will not forget that the cunning of our hands was bound by the prohibition, 'Thou shalt not make unto thee any graven image, or any likeness of anything;' which the Sopherim wickedly extended beyond its purpose and time. Nor should it be forgotten that long before Daedalus appeared in Attica and with his wooden statues so transformed sculpture as to make possible the schools of Corinth and AEgina, and their ultimate triumphs the Poecile and Capitolium--long before the age of Daedalus, I say, two Israelites, Bezaleel and Aholiab, the master-builders of the first tabernacle, said to have been skilled 'in all manner of workmanship,' wrought the cherubim of the mercy-seat above the ark. Of gold beaten, not chiseled, were they; and they were statues in form both human and divine. 'And they shall stretch forth their wings on high, .... and their faces shall look one to another.' Who will say they were not beautiful? or that they were not the first statues?" "Oh, I see now why the Greek outstripped us," said Judah, intensely interested. "And the ark; accursed be the Babylonians who destroyed it!" "Nay, Judah, be of faith. It was not destroyed, only lost, hidden away too safely in some cavern of the mountains. One day--Hillel and Shammai both say so--one day, in the Lord's good time, it will be found and brought forth, and Israel dance before it, singing as of old. And they who look upon the faces of the cherubim then, though they have seen the face of the ivory Minerva, will be ready to kiss the hand of the Jew from love of his genius, asleep through all the thousands of years." The mother, in her eagerness, had risen into something like the rapidity and vehemence of a speech-maker; but now, to recover herself, or to pick up the thread of her thought, she rested awhile. "You are so good, my mothe
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