e "Memorabilia", who lived in
the first half of the first century, and was much relished in the Middle
Ages. From him Saxo borrowed a multitude of phrases, sometimes apt but
often crabbed and deformed, as well as an exemplary and homiletic turn
of narrative. Other idioms, and perhaps the practice of interspersing
verses amid prose (though this also was a twelfth century Icelandic
practice), Saxo found in a fifth-century writer, Martianus Capella, the
pedantic author of the "De Nuptiis Philologiae et Mercurii" Such models
may have saved him from a base mediaeval vocabulary; but they were not
worthy of him, and they must answer for some of his falsities of style.
These are apparent. His accumulation of empty and motley phrase, like a
garish bunch of coloured bladders; his joy in platitude and pomposity,
his proneness to say a little thing in great words, are only too easy
to translate. We shall be well content if our version also gives some
inkling of his qualities; not only of what Erasmus called his "wonderful
vocabulary, his many pithy sayings, and the excellent variety of his
images"; but also of his feeling for grouping, his barbaric sense of
colour, and his stateliness. For he moves with resource and strength
both in prose and verse, and is often only hindered by his own wealth.
With no kind of critical tradition to chasten him, his force is often
misguided and his work shapeless; but he stumbles into many splendours.

FOLK LORE INDEX.

The mass of archaic incidents, beliefs, and practices recorded by the
12th-century writer seemed to need some other classification than a bare
alphabetic index. The present plan, a subject-index practically,
has been adopted with a view to the needs of the anthropologist and
folk-lorist. Its details have been largely determined by the bulk and
character of the entries themselves. No attempt has been made to
supply full parallels from any save the more striking and obvious old
Scandinavian sources, the end being to classify material rather than to
point out its significance of geographic distribution. With regard to
the first three heads, the reader who wishes to see how Saxo compares
with the Old Northern poems may be referred to the Grimm Centenary
papers, Oxford, 1886, and the Corpus Poeticurn Boreale, Oxford, 1883.

POLITICAL INSTITUTIONS.

King--As portrayed by Saxo, the ideal king should be (as in "Beowulf's
Lay") generous, brave and just. He should be a man of ac