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I bored my friends by presenting to them. But as the copyright of the work reverted to me at the expiration of a year, I cannot grumble at this result. The reader may think that it was mercenary of me to consider my first book from this financial point of view, but to be frank, though the story interested me much in its writing, and I had a sneaking belief in its merits, it never occurred to me that I, an utterly inexperienced beginner, could hope to make any mark in competition with the many brilliant writers of fiction who were already before the public. Therefore, so far as I was concerned, any reward in the way of literary reputation seemed to be beyond my reach. [Illustration: SOME CURIOS] It was on the occasion of the publication of this novel that I made my first and last attempt to 'roll a log,' with somewhat amusing results. Almost the only person of influence whom I knew in the world of letters was the editor of a certain society paper. I had not seen him for ten years, but at this crisis I ventured to recall myself to his memory, and to ask him, not for a favourable notice, but that the book should be reviewed in his journal. He acceded to my prayer; it was reviewed, but after a fashion for which I did not bargain. This little incident taught me a lesson, and the moral of it is: never trouble an editor about your immortal works; he can so easily be even with you. I commend it to all literary tiros. Even if you are in a position to command 'puffs,' the public will find you out in the second edition, and revenge itself upon your next book. Here is a story that illustrates the accuracy of this statement; it came to me on good authority, and I believe it to be true. A good many years ago, the relation of an editor of a great paper published a novel. It was a bad novel, but a desperate effort was made to force it upon the public, and in many of the leading journals appeared notices so laudatory that readers fell into the trap, and the book went through several editions. Encouraged by success, the writer published a second book, but the public had found her out, and it fell flat. Being a person of resource, she brought out a third work under a _nom de plume_, which, as at first, was accorded an enthusiastic reception by previous arrangement, and forced into circulation. A fourth followed under the same name, but again the public had found her out, and her career as a novelist came to an end. To return to the
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