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esh is one thing and the act of providing for the indulgence of them is another. When a man, on the impulse of sudden provocation, wreaks his resentful feelings upon the neighbor who has offended him, he is not at that time preparing for the indulgence of a carnal feeling, but actually indulging it. He is not at that time sowing, but reaping (such as it is) a harvest of gratification. This distinction may serve to assist our judgment in estimating the ungodliness of certain characters. The rambling voluptuary who is carried along by every impulse, and all whose powers of mental discipline are so enfeebled that he has become the slave of every propensity, lives in the perpetual harvest of criminal gratification. A daughter whose sole delight is in her rapid transitions from one scene of expensive brilliancy to another, who dissipates every care and fills every hour among the frivolities and fascinations of her volatile society,--she leads a life than which nothing can be imagined more opposite to a life of preparation for the coming judgment or the coming eternity. Yet she _reaps_ rather than _sows_. It lies with another to gather the money which purchaseth all things, and with her to taste the fruits of the purchase. _It is the father who sows_. It is he who sits in busy and brooding anxiety over his speculations, wrinkled, perhaps, by care, and sobered by years into an utter distaste for the splendors and insignificancies of fashionable life." The father sows, and he reaps in his daughter's life. "Painting for Eternity." A famous painter was well known for the careful manner in which he went about his work. When some one asked him why he took such pains, he replied: "Because I am painting for eternity." It is a solemn thing to think that _the future will be the harvest of the present_--that my condition in my dying hour may depend upon my actions to-day! Belief in a future life and in a coming judgment magnifies the importance of the present. Eternal issues depend upon it. The opportunity for sowing will not last forever; it is slipping through our fingers moment by moment; and the future can only reveal the harvest of the seed sown now. A sculptor once showed a visitor his studio. It was full of statues of gods. One was very curious. The face was concealed by being covered with hair, and there were wings on each foot. "What is his name?" said the visitor. "Opportunity," was the reply. "Why is his
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