FREE BOOKS

Author's List




PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  
al bull, dated the 11th of December, 1218, since which time the monastery has borne his name. The church of St. Lawrence, though no longer abbatial, has been suffered to exist; even before the revolution, it served at once as the church to the convent and to the first parish of Eu. The screen here figured, a beautiful specimen of the decorated English architecture, is placed at the entrance of one of the chapels. Another chapel contains a _Holy Sepulchre_, said to be superior, in point of the execution of the figures, to any other in France. In the south transept is a spirally-banded column of extraordinary elegance. The church stands upon the foundations of an earlier building, erected at the close of the twelfth century, and destroyed by lightning in 1426. According to the records of the monastery, it was either wholly, or in great measure, rebuilt by John de Vallier, the twenty-fourth abbot, in 1464.[168]--The following description of the building is borrowed from the journal of a very able friend of the writer of this article, who visited Eu in September, 1819:--"The abbey church of Eu is plain and massy on the outside of the nave and transepts. The east end of the choir is highly enriched with flying buttresses, &c. The windows of the nave are lancet-headed, and very tall: on the outside is a circular arch, which may be a restoration. The west window has been in three lancet divisions, which have been filled up with more modern tracery. The nave is singularly elegant: the triforium, or rather the upper tier of arches, is new in design, and most extraordinary. In the choir, the triforium is composed of tracery. The north transept is something like Winchester, only the arches are pointed: there are two arches. This arrangement is probably general; as I saw it at Troyes and other places. In a side-chapel is an entombment: the figures as large as life, or nearly so, and richly painted; quite perfect. Inscriptions on the hems of the garments. The _culs de lampe_ are of the most elegant reticulated work. In the north transept is a circular window filled with late tracery. No towers at the west end. East end, a polygon, as usual.--This church, which is well worthy of an attentive study, is quite distinct in character from the churches in the east of France: it has no marigold window; no row of niches over the portal; no massed door-way; so that the general outline of the front agrees wholly with the earliest pointed styl
PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  



Top keywords:
church
 

window

 

arches

 

tracery

 

transept

 
France
 
figures
 

chapel

 

wholly

 
elegant

triforium

 

pointed

 
lancet
 

monastery

 

filled

 
extraordinary
 

building

 
circular
 

general

 
composed

design

 

Winchester

 

headed

 
windows
 
flying
 

buttresses

 

restoration

 
singularly
 
modern
 

divisions


Troyes

 
distinct
 

character

 

churches

 
marigold
 

attentive

 

worthy

 

polygon

 

niches

 
outline

agrees

 
earliest
 

portal

 

massed

 

towers

 

places

 

enriched

 

entombment

 

arrangement

 
reticulated