TA CASA.
FRESCOES. Probably finished before 1484.
(Left Sacristy) "Della Cura." (In the cupola) Angels,
Evangelists, and Fathers of the Church. (Walls) Apostles,
Incredulity of S. Thomas. (Over door) Conversion of Saul. (Nave)
Medallions in _grisaille_ of Prophets and Fathers of the Church.
MILAN, BRERA.
MADONNA AND SAINTS. 1508. Oil. 8 ft. 2 in. x 6 ft. 2-1/2 in.
[No. 197bis.]
_From the church of S. Francesco, Arcevia. First brought to the
Gallery 1811. In 1815 removed to the church at Figino, near
Milan. Replaced in the Gallery 1892._
Inscribed: LVCAS SIGNORELLI P. CORTONA (on the back of the
throne), IACOBI SIMONIS PHILIPPINIS AERE DEO ET DIVAE MARIAE
DICATVM FR: BERNARDINO VIGNATO GVARDIANO PROCVRANTE. MDVIII.
THE FLAGELLATION. [No. 262.] { Probably one panel
{ originally.
MADONNA AND CHILD. [No. 281.] { 2 ft. 8-1/2 in. x 2 ft.
_From the church of Santa Maria del Mercato, Fabriano._
"The Flagellation" inscribed: OPVS LVCE CORTONENSIS.
MONTE OLIVETO (near Asciano), CLOISTERS.
FRESCOES. 1497.
Eight scenes from the life of S. Benedict.
MORRA (near Citta di Castello), S. CRESCENZIANO.
CRUCIFIXION. Fresco.
FLAGELLATION. Fresco.
ORVIETO, CATHEDRAL, CHAPEL OF THE MADONNA DI S. BRIZIO, FORMERLY
CAPPELLA NUOVA.
FRESCOES. 1499-1504.
(Six compartments in Vaulting): 1. Apostles; 2. Signs of the
Passion; 3. Martyrs (design of Fra Angelico); 4. Virgins; 5.
Patriarchs; 6. Fathers of the Church. (Four large frescoes): 1.
Antichrist; 2. Crowning of the Elect; 3. Damnation; 4.
Resurrection. (Window Wall): R. Hell; L. Heaven. (Round the
Portal): Signs of Destruction. (Lower Walls): Pieta; Portraits
of Poets; Medallions in _grisaille_.
ORVIETO, OPERA DEL DUOMO.
S. MARIA MADDALENA. 1504. Oil. 5 ft. 11 in. x 3 ft. 11 in.
_Originally painted for the Cathedral._
Inscribed on the upper part of the frame:
CECCARELLEVS. DE. APVIDVTIS--ET RVFINVS ANTONII.--
On the lower:
CONSERVAT. PA. PACIS. CONSERVATRICI. EX. SE CONSVLTO. M.D.IIII.
PORTRAITS OF SIGNORELLI AND NICCOLO FRANCESCHI.
[No. 1504.] Tempera on brick. 1 ft. x 1 ft. 3-1/2 in.
Inscribed on the draperies: LVCA and NICOLAVS.
On the back, probably by Signorelli at the request of Niccolo
Franceschi, the Treasurer of the Works:
LVCAS SIGNORELLVS. NATI
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