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_Rain of Fire, The_, 82 _Resurrection, The_, 79 Rome, Frescoes in the Sistine Chapel, 6; decoration of the Vatican chambers, 11 Rosselli, Cosimo, 6 Rumohr, on Signorelli, 21 _S. Augustine, Scenes from the Life of_, 103 _S. Benedict, Scenes from the Life of_, 54 _S. Jerome_, 7, 49 _S. Martin, Scenes from the Life of_, 106 _S. Sebastian, The Martyrdom of_, 53 Scalza, Ippolito, 80, 82 Signorelli, Antonio, 10, 115 Signorelli, Francesco, 115 Signorelli, Luca, little known of his life, 1; Vasari on, 1; birth, 2; studied painting under Pier dei Franceschi, 2; influence of Antonio Pollaiuolo and Donatello, 3, 4; gap in his biography, 4; early frescoes, 5; municipal appointments at Cortona, 5, 6, 8, 10, 16; his social status, 5; supposed visit to Rome, 6; frescoes in the Sistine Chapel ascribed to, 6; painted the altar-piece in Perugia Cathedral, 7; received the honour of citizenship from Citta di Castello, 7; pictures at Volterra, 7; frescoes in the cloister at Monte Oliveto, 7; altar-piece at Siena, 8; frescoes in the Cathedral of Orvieto, 8, 9; portraits of himself, 8, 9, 71, 85; the "Deposition" at Cortona, 10; death of his son Antonio, 10; and of Polidoro, 10; pictures at Arcevia, 11; decoration of the Vatican chambers, 11; disappointments at Rome, 12; alleged transaction with Michelangelo, 13; visit to Arezzo, 14, 15; death, 15; Vasari's character of, 16; artists who influenced, 17, 20; origin of the swaggering posture so characteristic of his paintings, 19, 20; use of gold and gesso, 21, 29; his great achievement, the rendering of combined action, 22; his defects, 24, 25; his colour, 25; his line and modelling, 26; an unequal illustrator, 26, 27; his painting of children, 27; realism, 28; repetitions, 29; chief qualities of his work, 29; earliest works, 32; frescoes at Loreto, 34; altar-piece at Perugia, 38; qualities of his _Tondos_, 47; works at Volterra, 49; frescoes at Monte Oliveto, 54; the Orvieto frescoes, 63, 86; later works, 87; altar-piece at Arcevia, 92; last works, 98, 106; drawings, 107, 110; his imitators and influence, 111, 119 Signorelli, Pier Tommaso, 15, 115 Signorelli, Polidoro, 9, 115; his death, 10 _Signs of the Destruction of the World_, 82 Sodoma, 8, 11, 40, 59 Standards painted by Signorelli, 7, 52, 61 _Supper at
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