_Rain of Fire, The_, 82
_Resurrection, The_, 79
Rome, Frescoes in the Sistine Chapel, 6;
decoration of the Vatican chambers, 11
Rosselli, Cosimo, 6
Rumohr, on Signorelli, 21
_S. Augustine, Scenes from the Life of_, 103
_S. Benedict, Scenes from the Life of_, 54
_S. Jerome_, 7, 49
_S. Martin, Scenes from the Life of_, 106
_S. Sebastian, The Martyrdom of_, 53
Scalza, Ippolito, 80, 82
Signorelli, Antonio, 10, 115
Signorelli, Francesco, 115
Signorelli, Luca, little known of his life, 1;
Vasari on, 1;
birth, 2;
studied painting under Pier dei Franceschi, 2;
influence of Antonio Pollaiuolo and Donatello, 3, 4;
gap in his biography, 4;
early frescoes, 5;
municipal appointments at Cortona, 5, 6, 8, 10, 16;
his social status, 5;
supposed visit to Rome, 6;
frescoes in the Sistine Chapel ascribed to, 6;
painted the altar-piece in Perugia Cathedral, 7;
received the honour of citizenship from Citta di Castello, 7;
pictures at Volterra, 7;
frescoes in the cloister at Monte Oliveto, 7;
altar-piece at Siena, 8;
frescoes in the Cathedral of Orvieto, 8, 9;
portraits of himself, 8, 9, 71, 85;
the "Deposition" at Cortona, 10;
death of his son Antonio, 10;
and of Polidoro, 10;
pictures at Arcevia, 11;
decoration of the Vatican chambers, 11;
disappointments at Rome, 12;
alleged transaction with Michelangelo, 13;
visit to Arezzo, 14, 15;
death, 15;
Vasari's character of, 16;
artists who influenced, 17, 20;
origin of the swaggering posture so characteristic of his paintings,
19, 20;
use of gold and gesso, 21, 29;
his great achievement, the rendering of combined action, 22;
his defects, 24, 25;
his colour, 25;
his line and modelling, 26;
an unequal illustrator, 26, 27;
his painting of children, 27;
realism, 28;
repetitions, 29;
chief qualities of his work, 29;
earliest works, 32;
frescoes at Loreto, 34;
altar-piece at Perugia, 38;
qualities of his _Tondos_, 47;
works at Volterra, 49;
frescoes at Monte Oliveto, 54;
the Orvieto frescoes, 63, 86;
later works, 87;
altar-piece at Arcevia, 92;
last works, 98, 106;
drawings, 107, 110;
his imitators and influence, 111, 119
Signorelli, Pier Tommaso, 15, 115
Signorelli, Polidoro, 9, 115;
his death, 10
_Signs of the Destruction of the World_, 82
Sodoma, 8, 11, 40, 59
Standards painted by Signorelli, 7, 52, 61
_Supper at
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