as certainly unassailable. If Mr. Dickens was comparing these boats
with the crown jewels; or with the Taj, or with the Matterhorn; or with
some other priceless or wonderful thing which he had seen, they were not
magnificent--he was right. The people compared them with what they had
seen; and, thus measured, thus judged, the boats were magnificent--the
term was the correct one, it was not at all too strong. The people were
as right as was Mr. Dickens. The steamboats were finer than anything on
shore. Compared with superior dwelling-houses and first-class hotels in
the Valley, they were indubitably magnificent, they were 'palaces.' To a
few people living in New Orleans and St. Louis, they were not
magnificent, perhaps; not palaces; but to the great majority of those
populations, and to the entire populations spread over both banks
between Baton Rouge and St. Louis, they were palaces; they tallied with
the citizen's dream of what magnificence was, and satisfied it.

Every town and village along that vast stretch of double river-frontage
had a best dwelling, finest dwelling, mansion,--the home of its
wealthiest and most conspicuous citizen. It is easy to describe it:
large grassy yard, with paling fence painted white--in fair repair;
brick walk from gate to door; big, square, two-story 'frame' house,
painted white and porticoed like a Grecian temple--with this difference,
that the imposing fluted columns and Corinthian capitals were a pathetic
sham, being made of white pine, and painted; iron knocker; brass door
knob--discolored, for lack of polishing. Within, an uncarpeted hall, of
planed boards; opening out of it, a parlor, fifteen feet by fifteen--in
some instances five or ten feet larger; ingrain carpet; mahogany center-
table; lamp on it, with green-paper shade--standing on a gridiron, so to
speak, made of high-colored yarns, by the young ladies of the house, and
called a lamp-mat; several books, piled and disposed, with cast-iron
exactness, according to an inherited and unchangeable plan; among them,
Tupper, much penciled; also, 'Friendship's Offering,' and 'Affection's
Wreath,' with their sappy inanities illustrated in die-away mezzotints;
also, Ossian; 'Alonzo and Melissa:' maybe 'Ivanhoe:' also 'Album,' full
of original 'poetry' of the Thou-hast-wounded-the-spirit-that-loved-thee
breed; two or three goody-goody works--'Shepherd of Salisbury Plain,'
etc.; current number of the chaste and innocuous Godey's 'Lady'