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ir capture of the city. In the old annalist's account we read (in Latin) how they "entered the church of St. Andrew on the day on which the Lord hung on the cross for sinners.... Armed knights on their horses, coursing around the altars, dragged away with impious hands some who fled for refuge thither, the gold and silver and other precious things being with violence carried off thence. Many royal charters, too, and other muniments, in the Prior's Chapel, and necessary to the church of Rochester, were destroyed and torn up. The oratories, cloisters, chapter house, infirmary and all the sacred buildings were turned into horses' stables, and everywhere filled with the dung of animals and the defilement of dead bodies." There is a record of a later, more welcome visit from Earl Simon's conqueror. In 1300 Edward I. made a progress in Kent, and we find the following items in the wardrobe accounts for this, the twenty-eighth year of his reign. On the 18th of February he offered seven shillings at the shrine of St. William, and a like amount again on the next day. He then went forward to Canterbury, and on his return from the archiepiscopal city gave, on the 27th of the same month, seven shillings each for the shrines of SS. Paulinus and Ythamar in the church of the Priory. From March till October, 1314, we read that Isabel, the queen of Robert Bruce, was a prisoner in Rochester Castle, permitted to walk at convenient times, under safe custody, within its precincts and those of the Priory of St. Andrew adjoining. This is, however, to some extent a matter of controversy. The fourteenth century saw the junction of the new and the Norman work in the nave completed, and the design of rebuilding the whole western arm finally abandoned. A beautiful capital at the joining on the south side will call for especial mention later, and in the part of the triforium just over it there is a piece of apparently later-Norman work, which is, however, by builders of the "Decorated" period. They seem to have found it best to reproduce here, as accurately as possible, what they had just destroyed. That it is by them is shown by the stone used, which is greensand and not the Caen stone of later-Norman workmen, and by differences in working. The early-Norman architects had chiefly used tufa, and these successive changes of material are of great help in assigning their respective dates to various parts of the fabric. About 1320 some alterati
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