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where he painted for a time, and presented his picture of the 'Crucifixion' to the Dominicans as a memorial gift in honour of his father, but in Flanders Rubens' fame overshadowed that of every other painter, and Van Dyck, recalling an invitation which he had received from the Countess of Arundel while still in Italy, came a second time to England, in 1630, when he was about thirty years of age, and lodged again with a fellow-countryman and painter named Gildorp. But his sensitive vanity was wounded by his not at once receiving an introduction to the king, or the countenance which the painter considered his due, and the restlessness, which was a prominent feature in his character, being re-awakened, he withdrew once more from England, and returned to the Low Countries in 1631. At last, a year later, in 1632, Van Dyck's pride was propitiated by receiving a formal invitation from Charles I., through Sir Kenelm Digby, to visit England, and this time the painter had no cause to complain of an unworthy reception. He was lodged by the king among his artists at Blackfriars, having no intercourse with the city, save by water. He had the king, with his wife and children, to sit to him, and was granted a pension of two hundred a-year, with the distinction of being named painter to his Majesty. A year later Van Dyck was knighted. Royal and noble commissions flowed upon him, and the king, who had a hereditary love of art, visited the painter continually, and spent some of the happiest and most innocent hours of his brief and clouded life in Van Dyck's company. Thus began Van Dyck's success in England. To give you an example of how often, and in how many different manners, Van Dyck painted the king and royal family, I shall quote from a list of his pictures-- 'King Charles in coronation robes.' 'King Charles in armour' (twice). 'King Charles in white satin, with his hat on, just descended from his horse; in the distance, view of the Isle of Wight.' 'King Charles in armour, on a white horse; Monsieur de St Antoine, his equerry, holding the king's helmet.' 'The King and Queen sitting; Prince Charles, very young, standing at the King's side; the Duke of York, an infant, on the Queen's knee.' 'The King and Queen holding a crown of laurel between them.' 'The Queen in white.' 'Prince Charles in armour' (two or three times). 'King, Q
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