FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  
dispute for preference between the ancient and modern music. It would, perhaps, be no impertinent design to take off all their models in wood, which might not only give us some notion of the ancient music, but help us to pleasanter instruments than are now in use. By the appearance they make in marble, there is not one string-instrument that seems comparable to our violins, for they are all played on either by the bare fingers, or the plectrum, so that they were incapable of adding any length to their notes, or of varying them by those insensible swellings, and wearings away of sound upon the same string, which give so wonderful a sweetness to our modern music. Besides that, the string-instruments must have had very low and feeble voices, as may be guessed from the small proportion of wood about them, which could not contain air enough to render the strokes, in any considerable measure, full and sonorous. There is a great deal of difference in the make, not only of the several kinds of instruments, but even among those of the same name. The syringa, for example, has sometimes four, and sometimes more pipes, as high as the twelve. The same variety of strings may be observed on their harps, and of stops on their tibiae, which shows the little foundation that such writers have gone upon, who, from a verse perhaps in Virgil's Eclogues, or a short passage in a classic author, have been so very nice in determining the precise shape of the ancient musical instruments, with the exact number of their pipes, strings, and stops.... Tho the statues that have been found among the ruins of old Rome are already very numerous, there is no question but posterity will have the pleasure of seeing many noble pieces of sculpture which are still undiscovered; for, doubtless, there are greater treasures of this nature under ground, than what are yet brought to light.[5] They have often dug into lands that are described in old authors, as the places where such particular statues or obelisks stood, and have seldom failed of success in their pursuits. There are still many such promising spots of ground that have never been searched into. A great part of the Palatine mountain, for example, lies untouched, which was formerly the seat of the imperial palace, and may be presumed to abound with more treasures of this nature than any other part of Rome. But whether it be that the richest of these discoveries fall into the Pope's hands, or for some
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  



Top keywords:

instruments

 

string

 
ancient
 

ground

 

treasures

 
modern
 

strings

 

statues

 

nature

 
sculpture

pieces

 
musical
 

doubtless

 

greater

 

passage

 
classic
 

undiscovered

 

precise

 

numerous

 

determining


question
 

author

 
number
 

pleasure

 

posterity

 

imperial

 

palace

 
untouched
 

Palatine

 

mountain


presumed
 
abound
 

discoveries

 
richest
 

searched

 

brought

 

authors

 

places

 
success
 
pursuits

promising

 

failed

 

seldom

 

obelisks

 
fingers
 

plectrum

 

incapable

 

comparable

 
violins
 

played