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Looking at a few of these will help to crystallize your own ideas. You will notice that their furnishings are by no means limited to the year in which they were built or even the century. A good example of this is to be found in a late 17th century house museum, known as Marlpit Hall, located on Kings Highway, Middletown, New Jersey. Here two nationalities actually mingle, since the exterior with its details of roof and gable windows and two-part doors show the Dutch influence, while the woodwork within is English in feeling. It is not a very large house but every room has a different color scheme. The restorers discovered the original colors and reproduced them; now the old blue-green, light pink, apple green, yellow, tones of red, and the like form a perfect background for the furnishings which date from late in the 17th century until well into the 18th. For instance, in the dining room a gate-leg table of the Puritan years has settled down comfortably with a set of Windsor chairs that are probably a hundred years younger. Other rooms are furnished with William and Mary and Queen Anne pieces so arranged as to appear to be waiting for the owners of Marlpit Hall, in its heyday, to come back. Upstairs are bedrooms with four-post beds of varying ages mingled with other furnishings that are in harmony, though not necessarily of the same period. This is a very fair example of an Early American home where two or more generations were born, lived, and died. In those days the average citizen did not discard his home furnishings just because they went out of style. He moved them to less important rooms and bought as he could afford of new pieces made "in the neatest and latest fashion." The home owner today can well plan to use what he has, making a few additions as he and his house become better acquainted. If he has a number of Oriental rugs and some member of his family has a fixed idea that those of the hooked variety are the only kind suitable for a country home, let him buy one or two good hooked rugs, in the interests of peace, and lay them down with his Orientals. Both will be found in harmony because both have the same basic idea, skillful weaving of colors into a distinct but variegated pattern. Besides, the American colonists, industrious as they were, did not depend solely on the work of their hands for floor coverings and other accessories. Oriental rugs or Turkey carpets, as they were then called, were used
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