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approached the table, and began, in a voice but slightly broken, the reading of her melancholy soliloquy. But, as she laid her hand on the skull, she gave a wild start of horror,--not at the touch of the cold, smooth bone, nor at the blank, black stare of the eyeless sockets, but at finding beneath her hand a mass of soft, curling hair, damp, as with night-dew!--at beholding eyes with "speculation" in them,--ay, with human passions, luminous and full,--eyes that now yearned with love, now burned with hate,--ah, God! the eyes of Lawrence Bury! With a shrill, frenzied shriek, Zelma sprang back and stood for a moment shuddering and crouching in a mute agony of fear. Then she burst into wild cries of grief and passionate entreaty, stretching her tremulous hands into the void air, in piteous imploring. "She has gone mad! Take her away!" shouted the excited audience; but before any one could reach her, she had fallen on the stage in strong convulsions. The actors raised her and bore her out; and as they did so, a little stream of blood was seen to bubble from her lips. A medical man, who happened to be present, having proffered his services, was hurried behind the scenes to where the sufferer lay, on a rude couch in the green-room, surrounded by the frightened players, and wept over by her faithful little maid. The audience lingered awhile within sound of the fitful, frenzied cries of the dying actress, and then dispersed in dismay and confusion. Zelma remained for some hours convulsed and delirious; but toward morning she sank into a deep, swoon-like sleep of utter exhaustion. She awoke from this, quite sane and calm, but marble-white and cold,--the work of death all done, it seemed, save the dashing out of the sad, wild light yet burning in her sunken eyes. But the bright red blood no longer oozed from her lips, and they told her she was better. She gave no heed to the assurance, but, somewhat in her old, quick, decisive way, called for the manager. Scarcely had he reached her side, when she began to question him eagerly, though in hoarse, failing tones, in regard to the skull used in the play of the preceding night. The manager had procured it of the sexton, he said, and knew nothing more of it. She sent for the sexton. He came,--a man "of the earth, earthy,"--a man with a grave-ward stoop and a strange uneven gait, caught in forty years' stumbling over mounds. A smell of turf and mould, an odor of mortality,
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