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The Project Gutenberg EBook of The Atlantic Monthly, Volume 4, No. 23, September, 1859, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Atlantic Monthly, Volume 4, No. 23, September, 1859 Author: Various Release Date: August 4, 2005 [EBook #16430] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ATLANTIC MONTHLY, VOLUME *** Produced by Cornell University, Joshua Hutchinson, Jon King and the Online Distributed Proofreading Team at http://www.pgdp.net THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. IV.--SEPTEMBER, 1859.--NO. XXIII. THE LIFE AND WORKS OF ARY SCHEFFER. No painter of this age has made so deep an impression on the popular mind of America as Ary Scheffer. Few, if any other contemporary artists are domesticated at our firesides, and known and loved in our remotest villages and towns. Only a small number, indeed, of his original works have been exhibited here,--yet engravings from them are not only familiar to every person of acknowledged taste and culture, but are dear to the hearts of many who scarcely know the artist's name. Young maidens delight in their tender pathos, and the suffering heart is consoled and elevated by their pure and lofty religious aspiration. An effect so great must have an adequate and peculiar cause; and we shall not have far to seek for it, but shall find it in the aim and character of the artist. Scheffer has two prominent qualities, by which he has won his place in the popular estimation. The first is his sentiment. His works are full of simple, tender pathos. His pictures always tell their story, first to the eye, next to the heart and soul of the beholder. His admirable knowledge of composition is always subordinate to expression. His meaning is not merely historical or poetical, but is true to life and every-day experience. "Mignon regrettant sa Patrie" is felt and appreciated by those who have never sung, "Kennst du das Land wo die Citronen bluehen,"-- and "Faust" and "Margaret" tell their story to all who have felt life's struggles and temptations, whether they have read them in Goethe's version or not. Added to this p
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